Andy Jones
Andy has been writing about music production and technology for 30 years having started out on Music Technology magazine back in 1992. He has edited the magazines Future Music, Keyboard Review, MusicTech and Computer Music, which he helped launch back in 1998. He owns way too many synthesizers.
Latest articles by Andy Jones

By Andy Jones Last updated
From emulations of iconic studio hardware to the most out-there multi-effects and versatile vocal tuners, we round up the Waves effects that matter in music production

By Andy Jones Published
Jim Keller's Sondhus has created extraordinary studios for bands including a-ha and Depeche Mode. What can they teach us about making our own spaces work to our advantage?

By Andy Jones Last updated
Our pick of sub-$/£200 audio interfaces from Focusrite, Audient, Arturia and more

By Andy Jones Published
Want to marry up your digital desktop or mobile DAW setups with hardware synths or a Eurorack? Get the best from all worlds as we unite analogue and digital in sweet harmony…

By Andy Jones Published
The Pet Shop Boys have just released a new album, Nonetheless, so it’s a great time to show you how to create some of their signature sounds for free

By Andy Jones Published
SSL’s UC1 is now capable of controlling all of your plugins thanks to the company’s new (and free) SSL 360 Link plugin. Is it time for a reappraisal?

By Andy Jones Published
With little around to compete with the single Oxygène when he released it nearly 50 years ago, Jean-Michel Jarre became the pinup of synth pop, and has continued to embrace the cutting-edge ever since. A true pionnier du synthétiseur…

By Andy Jones Published
This year marks an incredible 50 years since Kraftwerk released Autobahn, the track that brought electronic music to the masses, and even the charts

By Andy Jones Published
Recreating a classic (though not very obvious) ARP synth with characteristic aplomb. We get Axxess all areas…

By Andy Jones Published
Arturia’s mighty V Collection reaches generation X, but now its focus is not just on classic keyboards but new ones too

By Andy Jones Published
Deftly side-stepping the subscription saga, we spent some quality time with Minimal Audio’s dexterous flagship. Here’s our findings…

By Andy Jones Published
Just like the astrological sign Gemini, UK company UDO’s “bi-everything” synth is double the fun

By Andy Jones Published
An Oberheim and Minimoog went for a song, but it was a Martin Gore guitar and E-mu sampler that stole the show

By Andy Jones Published
Near-death experiences, breakdowns, talking puppets, heart attacks, sleeping in coffins… Just another Depeche Mode album, then

By Andy Jones Published
Synth workstation? Karaoke machine? Recording studio in a ghetto blaster? Answer: all - and none - of the above…

By Andy Jones Published
The late composer might have been known for his cutting-edge synth use, but he didn't agree with every studio breakthrough

By Andy Jones Published
Join us as we gather some of the best studio minds to come up with some incredible insider tips on all aspects of music production

By Andy Jones Published
And it's certainly not the only piece of weird gear the iconic German band have used…

By Andy Jones Published
Well, Taylor Swift fans might disagree…

By Andy Jones Published
1990s music gear might be a bit rubbish compared to today's, but its genius was in its limitations…

By Andy Jones Published
As Kevin Costner might have said: "If you build it, you will learn"

By Andy Jones Published
And you thought the company was all about grown-up mix plugins, right?

By Andy Jones Published
It gets the live performance workflow you'll recognise from Ableton, Logic and Bitwig, and might just be the tempter you need to switch DAWs
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