
Andy Jones
Andy has been writing about music production and technology for 30 years having started out on Music Technology magazine back in 1992. He has edited the magazines Future Music, Keyboard Review, MusicTech and Computer Music, which he helped launch back in 1998. He owns way too many synthesizers.
Latest articles by Andy Jones

“It’s compact, it’s live-ready… but it’s still an engine from an older synth”: Korg KingKorg Neo review
By Andy Jones published
KingKorg Neo is a bi-timbral VA synth packed into a small-form 37-key compact body, and is not as ‘Neo’ as the name implies

Best DJ laptop 2025: our pick of PCs and M3 Macs for playing out and performing
By Si Truss last updated
Our hand-picked laptop choices for DJs, all perfect for Serato, rekordbox, Traktor, Ableton, Virtual DJ and more

"70 years on, it’s a sound that is still in demand": The producer's guide to the EMT 140 plate reverb
By Andy Jones published
In the '60s and '70s, you needed a cumbersome metal plate strapped to some springs to create quality reverb, but it was so good that we still yearn for that EMT 140 sound today. Here’s how to recreate it, without a plate in sight…

How to connect studio monitors to your audio interface
By Andy Jones published
Here's our step-by-step guide to making your speakers and interface work in perfect harmony

Make a modern soft synth sound like a dusty old ’70s vintage synth… for free!
By Andy Jones published
Get those vintage vibes without the price tag…

7 underrated VST synths you might not know about
By Andy Jones published
We celebrate some of the great softsynths that may have flown under your radar

The 5 vintage synths that gave us synth-pop
By Andy Jones published
These are the machines that rocked the 1970s and popped the 1980s…

"It's a great synth, but $25,000 great?": 5 stupidly expensive vintage synths (and how to get their sound for free)
By Andy Jones published
Synthflation means you can pay nearly six figures for some of these synths (but also get most of their sounds for free)…

6 underrated hardware synths that you can still buy today
By Andy Jones published
Incredibly, some of these under-the-radar beauties are over a decade old, but still available (and still very good)

"We can’t deny that going back to it after a few years away has been a joyful experience": Reason Studios Reason 13 review
By Andy Jones published
Nearly a quarter of a century after v1, Reason reaches the not so unlucky v13, but is this once influential DAW still relevant?

“Can make subtle harmonic changes or be a hugely creative plugin, but either way it makes your mixes sound better”: Plugin Boutique Scaler EQ review
By Andy Jones published
Scaler EQ delivers harmonic processing we didn’t know we needed, but once heard, we might just apply it to everything

6 ways to get more from Waves Tune
By Andy Jones published
Waves Tune is the fast way to tune your vocals naturally or get that hard-tuned, robotic effect - here’s how to become a power user

Hear how Waves vocal effects can transform your recorded and live vocals - we've demoed and tested 10 plugins
By Andy Jones published
From tuning to bending, listen to what these plugins can do to your vocals!

“If you’d always yearned for atmospheric ‘proper’ guitar but lacked the playing skills and banks of effects, this is it”: E-instruments Desolate Guitars review
By Andy Jones published
Desolate Guitars could be the guitar library you didn’t know you needed, and is one of the most inspirational tools we've used this year

Best Mac for music production 2025: the best Apple machines for your music-making needs
By Andy Jones last updated
In the market for a music production Mac? We’ve compared every model in Apple's latest range - from the older M2 machines to the latest M3 MacBook Pros and iMac - to see which is the best fit for you…

He coined the term EDM and created the electronic drum kit... meet Richard James Burgess
By Andy Jones published
The unsung hero of music production, Burgess has been there or thereabouts in just about every major innovation of the last 50 years…

“v3 delivers a well rounded mix of ‘must-haves’ and ‘wants’”: Korg Gadget 3 review
By Andy Jones published
Korg’s Gadget is unusual in that it made the move from iOS to desktop, but is there room for it in 2024?

“A surprisingly capable and very easy to use EQ that you can go as deep with as you wish”: Wavesfactory Equalizer review
By Andy Jones published
Another day, another smart EQ, but does this rather blandly-named processor do a great job without stressing you out?

“One of the easiest and classiest-sounding drum instruments in its price range”: Modalics MINDst Drums review
By Andy Jones published
It might be a bit too purple, but behind its simple UI, MINDst Drums delivers all the mix-ready, real beats you could need…

The genius of 'anti-producer' Steve Albini
By Andy Jones published
This month in our Pioneers series, we explore the influence of an engineer whose uncompromising approach helped to shape the sound of albums from Nirvana, Pixies and PJ Harvey

Best Waves plugins 2025: Our pick of effects to help make you a better music producer
By Andy Jones last updated
From emulations of iconic studio hardware to the most out-there multi-effects and versatile vocal tuners, we round up the Waves effects that matter in music production

Studio designer Jim Keller on Martin Gore’s studio: "He had the most equipment that I've ever seen"
By Andy Jones published
Jim Keller's Sondhus has created extraordinary studios for bands including a-ha and Depeche Mode. What can they teach us about making our own spaces work to our advantage?

Best audio interfaces under $200/£200 2025: Make high-quality recordings that won't break the bank
By Andy Jones last updated
Our pick of sub-$/£200 audio interfaces from Focusrite, Audient, Arturia and more

"We’re getting our hardware and software worlds to collide and make beautiful music together": The ultimate guide to studio workflow
By Andy Jones published
Want to marry up your digital desktop or mobile DAW setups with hardware synths or a Eurorack? Get the best from all worlds as we unite analogue and digital in sweet harmony…

"If you want to write a classic pop song, use these chords: Ab, Bb, G minor 7th, C minor. You can’t go wrong with that": How to make a track that sounds like The Pet Shop Boys
By Andy Jones published
The Pet Shop Boys have just released a new album, Nonetheless, so it’s a great time to show you how to create some of their signature sounds for free
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