Andy Jones
Andy has been writing about music production and technology for 30 years having started out on Music Technology magazine back in 1992. He has edited the magazines Future Music, Keyboard Review, MusicTech and Computer Music, which he helped launch back in 1998. He owns way too many synthesizers.
Latest articles by Andy Jones
The best new acoustic guitars coming our way in 2024
By Andy Jones published
GEAR EXPO 2024: Acoustics for every budget – small and (incredibly) large – as we reveal the all-new arrivals for the year ahead
The 15 most exciting new hardware synths of 2024: analogue and digital instruments from Korg, Behringer and more
By Andy Jones published
GEAR EXPO 2024: The must-have new monster synths you need to audition this year
The best of the past, the best of the future: the hottest guitar amps and amp pedals coming out in 2024
By Andy Jones published
GEAR EXPO 2024: Amps of all shapes and sizes, with some offering vintage features and others completely futuristic…
The 8 most innovative new music making gadgets of 2024
By Andy Jones published
GEAR EXPO 2024: These must-have production wonders will have your eyes widening and your hands reaching for your wallets
A magnificent 7 softsynths to look out for in 2024
By Andy Jones published
GEAR EXPO 2024: These have all scored well in recent reviews or look like setting 2024 alight with their sonic brilliance
How to make a polished modern soft synth sound like a dusty old ’70s vintage synth: "Thanks to unstable circuitry, the vintage polysynths of yesteryear have a character of their own"
By Andy Jones published
Get those vintage vibes without the price tag
"It's faster for some music-making tasks than even Apple claims": Apple MacBook Air 15-inch M3 (2024) review
By Andy Jones published
It's even snapping at the heels of the latest MacBook Pros…
6 of the most ridiculously large synth workstation plugins that can handle every part of a track: "This powerhouse of a synth has all of the sounds you need"
By Andy Jones published
These beastly ROMplers provide all the music-making power one could ask for
6 vintage polysynth emulations we recommend for authentic analogue tones: "The UI looks so real that you can almost smell the wood varnish"
By Andy Jones published
We stack up six excellent emulations of classic polys for your consideration
6 of the best software polysynths of 2024 so far: "Kult stands out from most of our choices by trying very deliberately to do something different"
By Andy Jones published
We survey the most impressive soft synths that have caught our eyes (and ears) this year
How to design atmospheric pads on any polysynth
By Andy Jones published
Follow this easy step-by-step tutorial
How to get the supersaw synth sound for free
By Andy Jones published
Follow this easy step-by-step tutorial
How to grasp the mechanics of polysynths vs monosynths
By Andy Jones published
Follow this easy step-by-step tutorial
The Great Synth Showdown: Oberheim OB-X8 hardware synth vs GForce Software OB-X
By Andy Jones published
The polyphonic stakes are high...
The Great Synth Showdown: Roland JV-1080 hardware vs Roland Cloud JV-1080 software
By Andy Jones published
The next bout in our polyphonic synth shootout pits Roland's original JV-1080 sound module against its modern plugin recreation
The Great Synth Showdown: Sequential Prophet-5 Rev 4 hardware vs Arturia Prophet-5 V
By Andy Jones published
The first round in our polyphonic hardware vs software shoot-out
Are software synths now better than hardware - and does it matter?
By Andy Jones published
Grab your favourite softsynths and let us take you on a journey into their evolution. Learn how to get more out of them and see how they stack up next to the pioneers that inspired them
"It’s not one of my favourite things. It’s stupid because I produced it, but the keyboards just hit me as wrong": Van Halen's Jump is 40 years old. Here's how the most famous keyboard riff of all time was created (and how you can do it, too)
By Andy Jones published
Or the most irritating? You decide…
“They just risk everything – every song starts from a point of absolutely no safety net”: Queens of the Stone Age engineer and producer Robert Adam Stevenson on working with Josh Homme, Jeff Beck, Johnny Depp and recording a very '80s Taylor Hawkins
By Andy Jones published
Interview: Since his own band broke up, Stevenson has taken the producer/engineer route, diving straight into the LA music scene and recording its biggest stars
“An immense sonic force, all under one roof”: UVI Falcon 3 review
By Andy Jones published
This workstation was already chock full of every synthesis and effect type imaginable, so what can v3 possibly add?
Best in-ear monitors 2024: IEMs for stage and studio
By Chris Corfield last updated
Our expert guide to the best in-ear monitors for practice, performance and production, no matter your budget
"Fine for off-the-cuff sequencer basslines, otherwise you have to plan what you're going to do before even switching it on": Here's what the reviews said when the dance-music-defining Roland TB-303 was released in 1981
By Andy Jones published
Happy TB-303 Day! Grab your time travel machine, because back then it only cost a couple of hundred bucks
"It sounded completely out of place in the chart it was in, and the year it was released": 5 Prophet-5-powered tracks by Radiohead, Gary Numan, Japan and more
By Andy Jones published
We're in Prophet-5 mode, as we celebrate five decades of the first 'proper' polysynth with five – ok six – glorious tracks
The producer's guide to the Teletronix LA-2A: "It's one of the few pieces of vintage gear that can have grown producers weeping into their mixes, such is its ‘magic dust’ reputation"
By Andy Jones published
Our in-depth guide to the classic compressor revered by gearheads and beloved for its warmth, colour and transparent sound
"I heard Portishead’s Dummy on the radio and thought to myself: ‘I can make that'": Air's Moon Safari is 25 years old, but still sounds like it will be made in 25 years' time. Here's the story of the greatest chillout album ever
By Andy Jones published
And why you should see them play the whole album live this year…
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