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VST/AU plug-in instrument/effect round-up: Week 43

News
By Ben Rogerson
Published 2 May 2012

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Your one-stop release guide

Your one-stop release guide

Arturia gave us the Wurlitzer V and Native Instruments Instruments unveiled Skanner XT, but these aren’t the only plug-in releases from the past week or so. Read on for the best of the rest.

Also make sure you check out these regularly updated features:

The 20 best VST plug-in synths in the world today

The 14 best VST plug-in drum machines in the world today

If you've got a new PC or Mac plug-in, make sure you let us know about it by emailing musicradar.pressreleases@futurenet.com with all the details.

NEXT: Subsonic Labs Wolfram

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Page 1 of 9
Subsonic Labs Wolfram

Subsonic Labs Wolfram

Billed as an ‘advanced sound manipulation device’, Wolfram is a slightly eccentric-looking multi-effects unit. It offers the likes of delays, pitch shifting, distortion, chorusing, phasing, panning, filtering, cabinet emulation “and all strange combinations in between”. Plenty of modulation options are included, too. The price rises to $80 on 27 April.

Buy or download demo of Subsonic Labs Wolfram

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Page 2 of 9
Modartt Pianoteq 4

Modartt Pianoteq 4

Another update for the acclaimed physically modelled piano. This time we get a brand new grand that’s based on the Steinway D (the D4), which promises an even better sound. There are new effects, too - including a convolution reverb - and a resizable interface.

Buy or download demo of Modartt Pianoteq 4

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Page 3 of 9
Sound Magic Hybrid Harpsichord

Sound Magic Hybrid Harpsichord

Now here’s a real vintage emulation: Hybrid Harpsichord is based on an instrument built by Kirckman in the 1770s. It has a single manual with three stops, one of which is a lute stop (you can switch between the stops using key switches). As its name suggests, the plug-in uses a combination of samples and physical modelling.

Buy or download demo of Sound Magic Hybrid Harpsichord

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Page 4 of 9
Scuffham Amps S-Gear 2.0

Scuffham Amps S-Gear 2.0

An update for the virtual guitar amp suite - it’s free for existing users. You can now drag ‘n’ drop modules in the effects rack for extra flexibility, there’s a dedicated modulation processor in the shape of ModThing, you’ll find more MIDI controller options and the factory presets have been revised.

Buy or download demo of Scuffham Amps S-Gear 2.0

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Page 5 of 9
Mecha Audio Dirty Bits

Mecha Audio Dirty Bits

A rack-style multi-effects unit that comes with three devices that are designed to mess up your audio. These go by the names of Distortion Compressor, Vintage Bit Crusher and Vinyl Damage, and we’re told that they can be used subtly or pushed to the extreme.

Buy or download demo of Mecha Audio Dirty Bits

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Page 6 of 9
NTS Audio Labs Drum Loop 2

NTS Audio Labs Drum Loop 2

Designed to create beats and grooves on the fly that can then be triggered via MIDI, Drum Loop 2 comes with a sizeable collection of one-shot samples and can also make loops out of the ones you already own. The price listed above is an introductory one.

Buy or download demo of NTS Audio Labs Drum Loop 2

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Page 7 of 9
Voxengo Warmifier 2.0

Voxengo Warmifier 2.0

A valve warming effect that sports valve preamp and console colouration simulators, plus a harmonic enhancer. You can control the strength and colour of the effect using various parameters, and although the overall impact is said to be subtle, the developer believes it can make a difference. The price listed above is an introductory one.

Buy or download demo of Voxengo Warmifier 2.0

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Page 8 of 9
Vox JamVox III

Vox JamVox III

Announced at Musikmesse 2012 but only just available, this significant update to JamVOX combines amps and effects, the Guitar Xtracktion feature (which enables you to remove/isolate an instrument track in a song, apparently) and now plug-in support. The price listed above is an introductory one.

Buy or download demo of Vox JamVox III

Liked this? Now read: Free music software: the best audio app and plug-in downloads on the net

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Ben Rogerson
Ben Rogerson
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Deputy Editor

I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it. 

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