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lone
Computers Lone on how he creates his technicolour, rave-adjacent electronica
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  1. Tech
  2. Software & Apps

Paul Oakenfold's favourite music software

News
By Computer Music ( Computer Music ) published 30 April 2014

The bona fide dancefloor legend tells us what's on his hard drive

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

LennarDigital Sylenth1

LennarDigital Sylenth1

“Sylenth is extremely versatile and a regular that I keep going back to. Its sounds have a thickness and meat that a lot of competitor synths lack. The basslines are absolutely solid, the pads are full, and for acid lines, it’s one of the best in the business.”

Read LennarDigital Sylenth1 review

Page 1 of 5
Page 1 of 5
Soundtoys EchoBoy

Soundtoys EchoBoy

“I can’t rate this delay highly enough. Echoboy is really tweakable, so you can fine-tune your delay to an amazing degree. It’s such a user- friendly plugin. Its ping-pong delay and the saturation settings are just great, and the Tweak and Style Edit buttons are fantastic for creating unique delay effects.”

Read Soundtoys Native Effects review

Page 2 of 5
Page 2 of 5
Waves S1 Stereo Imager

Waves S1 Stereo Imager

“The S1 is my go-to plugin for extra stereo separation where necessary - on certain pads or percussion loops, or maybe on the master out – to give your track a touch more width. It’s extremely simple to use and the results are always impressive.”

Find out more about Waves S1 Stereo Imager

Page 3 of 5
Page 3 of 5
Native Instruments Massive

Native Instruments Massive

“This is a hugely powerful synth, and a must for my more up-tempo trance productions. A lot of my recent tracks on Perfecto have Massive sounds in - those lovely metallic FM basslines that cut through in the mids, and ripping acids that give grit, energy and pace to your track as 16th-note patterns.”

Read Native Instruments Massive review

Page 4 of 5
Page 4 of 5
DAWs

DAWs

“I switch between Logic and occasionally Cubase or Ableton depending on the studio I’m working in. I tend to create ideas in Logic while in transit and then use Cubase when it comes to mixing down back in the studio in LA. Ableton is great for timestretching, changing pitch or making shorter edits of tracks people have sent me.”

Paul Oakenfold's new album Trance Mission is out in June on Perfecto Records

Page 5 of 5
Page 5 of 5
Computer Music
Computer Music
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Computer Music magazine is the world’s best selling publication dedicated solely to making great music with your Mac or PC computer. Each issue it brings its lucky readers the best in cutting-edge tutorials, need-to-know, expert software reviews and even all the tools you actually need to make great music today, courtesy of our legendary CM Plugin Suite.

Get over 70 FREE plugin instruments and effects… image
Get over 70 FREE plugin instruments and effects…
…with the latest issue of Computer Music magazine
More Info
Read more
lone
Lone on how he creates his technicolour, rave-adjacent electronica
Riva Starr
“I have an original 909 – every time I use it I feel like I’m ruining it”: Riva Starr's studio essentials
eats everything in his studio
“Entrance Song is a massive 808 sub and a 909 kick. Those two shouldn’t work together - I’m not sure they were even in key”: Eats Everything on his ever-changing approach to production and DJing
Behringer Model D
10 producers share the studio gear they can’t live without
Vaughn Oliver
“I probably have that on more records than anything else”: Take a peek inside Vaughn Oliver’s studio
trevor horn spitfire audio jupiter
Trevor Horn finally dishes out his sampling and drum machine tips
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