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  1. Tech
  2. Software & Apps

iPhone/iPad iOS music making app round-up: Week 54

News
By Ben Rogerson
Published 8 December 2011

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Three of different kinds

Three of different kinds

The launch of Lemur and update to NanoStudio have already had iOS music makers talking this week, but we’ve got two more new apps and another important revision to tell you about, too.

Also make sure you check out these regularly updated features:

The best iPhone music making apps

The best iPad music making apps

If you've got a new iOS app, make sure you let us know about it by emailing musicradar.pressreleases@futurenet.com with all the details.

NEXT: FingerTaps MidAir

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FingerTaps MidAir, £0.69

FingerTaps MidAir, £0.69

A simple little app that enables you to turn your iDevice into a gestural controller. It uses the built-in camera to track the movement of your hand - effectively giving you a virtual 3D trackpad - and is CoreMIDI compatible. Check out a video demo here.

Buy now from the App Store

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Korg iKaossilator 2.0, £6.99

Korg iKaossilator 2.0, £6.99

A surprisingly significant update given that the original iKaossilator was released less than two months ago, version 2.0 adds audio and SoundCloud export, native iPad support, AudioCopy and a new way of generating fills and breaks called Flex Play.

Buy now from the App Store

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Big Robot Studios Beat Shuffler, £1.99

Big Robot Studios Beat Shuffler, £1.99

A new beat creation tool that slices up loops and enables you to trigger these slices while keeping them in time for you. You can use up to six tracks for your loops, and both WAV and MP3 files can be imported. There’s also a mixer, a master channel with effects and a separate effects channel for each track.

Buy now from the App Store

Liked this? Now read: The best iPhone music making apps and The best iPad music making apps

Connect with MusicRadar: via Twitter, Facebook and YouTube

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Ben Rogerson
Ben Rogerson
Social Links Navigation
Deputy Editor

I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it. 

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