Billy Corgan: “Fender disrespected me and Gibson blew me off”

(Image credit: John Shearer / Getty)

Remember the Billy Corgan Stratocaster? It was a thing of hard-rocking, no-nonsense beauty (and, on that note, more hardtail Strats, please Fender), but suddenly disappeared from Fender’s catalogue, never to return - and according to the Smashing Pumpkins main man, there was beef behind the scenes.

During an Instagram story Q&A (reported by Alternative Nation), the guitarist was asked whether he would collaborate with Fender again, to which he replied, “Never. They disrespected me and I would never go back.”

When asked to elaborate, he stated the reasons were “too petty to get into.”

The prospect of a Gibson model was also raised by one fan, but shot down by Billy, who stated, “Gibson also blew me off so I’ll play them, but I won’t work with them. Want them to survive though.”

Signature model citizen

Corgan’s current signature models are the Reverend BC-1 and the Yamaha LJ16BC, while he also collaborated with Electro-Harmonix on the recent Op Amp Big Muff reissue.

It seems there could be more BC gear in the offing, however, as a question about making a signature multi-effect was met with the response, “Discussing with Yamaha Guitars now.”

Given Yamaha’s acquisition of Line 6 and the Smashing Pumpkins’ hugely inspiring array of tones, that’s a multi-effects we’d very much like to see. Watch this space…

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Michael Astley-Brown

Mike has been Editor-in-Chief of GuitarWorld.com since 2019, and an offset fiend and recovering pedal addict for far longer. He has a master's degree in journalism from Cardiff University, and 15 years' experience writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as 20 years of recording and live experience in original and function bands. During his career, he has interviewed the likes of John Frusciante, Chris Cornell, Tom Morello, Matt Bellamy, Kirk Hammett, Jerry Cantrell, Joe Satriani, Tom DeLonge, Radiohead's Ed O'Brien, Polyphia, Tosin Abasi, Yvette Young and many more. His writing also appears in the The Cambridge Companion to the Electric Guitar. In his free time, you'll find him making progressive instrumental rock as Maebe.