Paul Elliott
Paul Elliott has worked for leading music titles since 1985, including Sounds, Kerrang!, MOJO and Q. He is the author of several books including the first biography of Guns N’ Roses and the autobiography of bodyguard-to-the-stars Danny Francis.
Latest articles by Paul Elliott

By Paul Elliott Published
“I don’t want to give up because I love what I do”

By Paul Elliott Published
“There’s a lot of mistakes – but I know where I’m trying to go”

By Paul Elliott Published
“Any songwriter will tell you it’s the best feeling in the world”

By Paul Elliott Published
“It took her out of her normal place, which some of her hardcore fans didn’t dig”

By Paul Elliott Published
“I didn’t know – nobody knew – how powerful two rappers could be”

By Paul Elliott Published
Strats might not play a starring role in Oasis history but Marr sold Gallagher a pre-CBS ’65 model that ended up on Don’t Look Back In Anger and Wonderwall. Does Marr want it back?

By Paul Elliott Published
“I hadn’t seen Ozzy for a bit, and it was difficult seeing him like that”

By Paul Elliott Published
“I told him, ‘If you hit me, you’re probably gonna knock me out. But if I get up, you better run’”

By Paul Elliott Published
“I’m so proud of it – but I couldn’t get Bob to write the lyrics”

By Paul Elliott Published
May’s lyrics refer to Cropper’s famous co-write (Sittin’ On) The Dock Of The Bay

By Paul Elliott Published
The guy who wrote Owner Of A Lonely Heart was also in the running

By Paul Elliott Published
“I didn’t want Alice to be a hero – I wanted him to be a villain”

By Paul Elliott Published
“The studio was a two-car garage turned into a control room and a room. It was really tight in there”

By Paul Elliott Published
In previously unpublished extracts from a major interview, Buckingham discusses the band’s classic albums and more

By Paul Elliott Published
“We had one of those love-hate relationships – it was just hard to move on”

By Paul Elliott Published
The Boss spoke of the “emotional power” in Browne’s songs

By Paul Elliott Published
His tough-talking approach helped create one of the band’s biggest hits

By Paul Elliott Published
Keith Emerson called it “an embarrassment against everything I’ve worked for”

By Paul Elliott Published
“The food budget for the Steinman sessions was probably as much money as The Dark Side Of The Moon cost to record”

By Paul Elliott Published
“Rob is really into heavy metal, like really into it. After all these years, he just loves heavy metal”

By Paul Elliott Published
"That song is where the Quo twelve-bar boogie shuffle came from"

By Paul Elliott Published
“Even if he had stopped taking drugs right there on the spot, I think it had still gone too far”

By Paul Elliott Published
“We learnt a lot from that whole experience”
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