![Helado Negro](https://cdn.mos.cms.futurecdn.net/i8iZUpLUWqi5LYWgRJXvZf-320-80.jpg)
Helado Negro on working with the SAL-MAR Construction, a one-of-a-kind analogue synth and “self-generating compositional machine” from 1969: “This wasn’t parallel to developments from Moog and ARP… this was so much in its own world”
Roberto Carlos Lange’s acclaimed latest album took him on a synth quest across the US. But it was back at home, piecing it all together in Ableton, that the rich tapestry took shape