Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
UK EditionUK US EditionUS AU EditionAustralia SG EditionSingapore
Sign in
  • View Profile
  • Sign out
  • Artist news
  • Music Gear Reviews
  • Synths
  • Guitars
  • Controllers
  • Drums
  • Keyboards & Pianos
  • Guitar Amps
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About us
Don't miss these
Neil Finn
Artists “I played it with the band and it sounded like a bag of…”: How Neil Finn created Crowded House's classic hit
Josh Freese
Artists “People said, ‘Hey, I saw you’re on that Avril Lavigne record.’ I went, ‘Nah!'”: The drummer who’s played on 400 albums
Keith Richards, Mick Jagger, Bill Wyman and Charlie Watts at the Kensington Gore Hotel, where they staged a mock-medieval banquet for the launch of their new album 'Beggars Banquet', 5th December 1968
Singles And Albums “This is where we had to pull out our good stuff. And we did”: Beggars Banquet – the album that made the Rolling Stones
Eric Clapton and Sheryl Crow perform at Eric Clapton's Crossroads Guitar Festival 2007 held at Toyota Park on July 28, 2007 in Bridgeview, Illinois.
Artists "They put it on hold so nobody else can record it. But he didn’t actually record it. That was when Don Henley said, ‘You need to quit giving your songs away’”: Sheryl Crow says that she once wrote a song for Eric Clapton that never saw the light of day
The Power Station
Artists “The most expensive bit of drumming in history”: When stars of Duran Duran and Chic formed a decadent ’80s supergroup
Yes backstage
Artists Unpacking the technical genius behind one of the most iconic rock songs of the 1980s
Justin Hawkins
Artists “He wanted it to sound tinny, so he literally put the mic in a tin”: When The Darkness teamed up with Queen’s producer
Adrian Belew with the Fender Stratocaster that he and Seymour Duncan relic'd in the back garden
Artists Adrian Belew on how he and Seymour Duncan made one of the first relic’d guitars
Gwen Stefani
Artists “I ended up changing the whole song because Tony broke up with me”: How Gwen Stefani's heartbreak inspired a No.1 hit
Richie Sambora and Jon Bon Jovi
Bands Jon Bon Jovi says he’s still “heartbroken” by the way Richie Sambora left the band
Tears for Fears
Artists The struggle to make the Tears for Fears masterpiece that closed out the '80s on a creative high
English rock band 10cc, 1974. Left to right: Lol Creme, Eric Stewart, Kevin Godley and Graham Gouldman
Bands “There are certain songs that I’ve written that are imbued with extra magic”: Graham Gouldman on I’m Not In Love
Aerosmith and Yungblud
Artists “You can say, ‘This isn’t real rock ‘n’ roll.’ Or look at it another way”: Joe Perry on Aerosmith's collab with Yungblud
Mark Ronson and Michael Jackson
Artists How a teenage Mark Ronson convinced Michael Jackson to write him a bassline so he could make a hit song out of it
Steve morse and Jon Lord play onstage together during a 1996 Deep Purple show in Amsterdam.
Artists Steve Morse on why he loved writing with Jon Lord and the Deep Purple track that started with a cup of tea
More
  • "The most expensive bit of drumming in history”
  • JoBo x Fuchs
  • Radiohead Daydreaming
  • Vanilla Fudge
  • 95k+ free music samples
  1. Artists
  2. Drummers

Stewart Copeland on The Police, the split and the reunion

News
By Rich Chamberlain published 10 September 2012

A look back at The Police's break up and make up

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Stewart Copeland on The Police, the split and the reunion

Stewart Copeland on The Police, the split and the reunion

The brand new issue of Rhythm sees drum icon Stewart Copeland return to the cover. To mark the occasion we’ve delved back through some of our past interviews with Stewart and dug out some classic quotes from the Police sticksman.

Page 1 of 4
Page 1 of 4
Stewart Copeland on The Police, the split and the reunion

Stewart Copeland on The Police, the split and the reunion

Our August 2005 interview with Stewart came after The Police had briefly reunited for a performance at their induction into the Rock and Roll Hall of Fame in 2003.

On that performance, he said: “I was in a lot of pain after an operation when we did that and couldn’t believe that my chance to play with the guys again – to be The Police for 15 minutes – had happened at such a bad time. Let me tell you that in rehearsals the sparks did not fly – there was almost something reluctant about the whole thing. You know the place in ‘Roxanne’ where we used to the do the jam? Well, Sting didn’t want to do it and I wasn’t feeling strong enough to argue with him.

“But that night on stage, when we got to that moment, I suddenly thought, ‘Ok baby, we are going out!’ Andy followed and, even though Sting turned round and gave me a look, he did too. Suddenly, for an instant, we had a glimpse of what it used to be like. I may have been in pain but I was determined to show my kids what their dad used to do. I had been practising, I had my chops, I had paid my dues and I was not going to go quietly into the night!”

Page 2 of 4
Page 2 of 4
Stewart Copeland on The Police, the split and the reunion

Stewart Copeland on The Police, the split and the reunion

Just over a year later we caught up with Stewart again, and got the lowdown on the factors that led to the band’s split way back in 1986.

“It was a creative difference, an honest dispute on both sides. It was very simple. Sting is a master songwriter, and an incredible producer and arranger. He writes a song, and he doesn’t just stop there, he completes the song in his mind, the same way that Mozart did or any other composer in any other era. But he’s a member of a group, which means he has to take the song to the band and have it thrashed up by his bandmates and compromise his initial vision. He became less and less patient with that, understandably, and we had eight good years and five albums of him making these compromises, but eventually he couldn’t take it any more. We know all this now, but at the time we weren’t so aware and articulating these clear differences so dispassionately, so there was a lot of tension.”

Page 3 of 4
Page 3 of 4
Stewart Copeland on The Police, the split and the reunion

Stewart Copeland on The Police, the split and the reunion

By the time September 2007 came around The Police were in the midst of their mega successful reunion tour.

“It’s been incredible. It’s actually a pretty good band we’ve got here and the audiences are going nuts. There is so much excitement around the show that it is damned amusing. I’d never heard of double stadium acts before. There are arena bands and stadium acts and this time we’re actually doing double stadiums!

“We played one baseball stadium – twice. I read in a newspaper that we’re the biggest- selling ticket on Ticket Master. Number two is a Walt Disney ice show. That takes a little bit of the zing out of it. If it was the Rolling Stones, U2 or Madonna, that would be something to be chuffed about.”

When asked how the band’s first rehearsals back together went, Stewart admitted: “Hell. Each of us has been president of our own universe for the last two decades, so we now have to get used to each other again. But we are kind of over that now. At first it was quite amazing for a guitarist or a bass player to turn around to me and say ‘Could you play your hi-hat instead of your ride cymbal?’ To which the only logical response is ‘F*** you! Okay, you play my hi-hat or my ride cymbal, a**hole!’ This was the sort of dialogue that we began with to mutual astonishment – ‘You can’t talk to me that way!’

For much more from Stewart pick up the September issue of Rhythm.

Page 4 of 4
Page 4 of 4
CATEGORIES
Drums
Rich Chamberlain
Rich Chamberlain

Rich is a teacher, one time Rhythm staff writer and experienced freelance journalist who has interviewed countless revered musicians, engineers, producers and stars for the our world-leading music making portfolio, including such titles as Rhythm, Total Guitar, Guitarist, Guitar World, and MusicRadar. His victims include such luminaries as Ice T, Mark Guilani and Jamie Oliver (the drumming one).

Read more
Beck, Bogart & Appice
“Tim wasn’t feeling good, and then Jeff said something derogatory, and Tim just punched him in the face!”
 
 
Gwen Stefani
“I ended up changing the whole song because Tony broke up with me”: How Gwen Stefani's heartbreak inspired a No.1 hit
 
 
Richie Sambora and Jon Bon Jovi
Jon Bon Jovi says he’s still “heartbroken” by the way Richie Sambora left the band
 
 
Rod Stewart
“We wrote the biggest-selling single that Rod ever had, and it took us an hour”: Rod Stewart's controversial disco hit
 
 
Tears for Fears
The struggle to make the Tears for Fears masterpiece that closed out the '80s on a creative high
 
 
Buckingham Nicks
Stevie Nicks seemingly confirms that she and Lindsey Buckingham are back on speaking terms
 
 
Latest in Drummers
Josh Freese
“People said, ‘Hey, I saw you’re on that Avril Lavigne record.’ I went, ‘Nah!'”: The drummer who’s played on 400 albums
 
 
Beck, Bogart & Appice
“Tim wasn’t feeling good, and then Jeff said something derogatory, and Tim just punched him in the face!”
 
 
Simon Phillips
“I got a hacksaw, chopped down the stand and put the hi-hats down there”: How Simon Phillips learned to play left-handed
 
 
Johnny Marr, English singer Morrissey, English drummer Mike Joyce and English bassist Andy Rourke of The Smiths pose for a portrait before their first show in Detroit during the 1985
“You’d go round the house and Johnny would play some riff in his jimmy-jams”: Mike Joyce remembers the early days of The Smiths
 
 
Floyd in 1987
“I said, ‘Oh, man, we’re gonna kick some ass on a Pink Floyd record!’": The drummer who substituted for Nick Mason
 
 
Simon Phillips with the Who and Elton John
“I didn't replace Keith Moon – I replaced Kenney Jones!”: When Simon Phillips became The Who's third great drummer
 
 
Latest in News
ALM Busy Circuits Pamela's Disco module
ALM Busy Circuits new Pamela’s Disco module lets you sync a Eurorack rig to a CDJ or mixer
 
 
Text saying 'Just the way it is'
“It’s quite normal to be groped by men”: Harassment, low pay and exploitation all reported by young musicians and artists in new survey
 
 
Dirty Boy SilverBOY: This high-end all-analogue preamp pedal was inspired by a digital plugin
Dirty Boy turns the tables on guitar’s digital revolution with an all-analogue preamp pedal inspired by a plugin
 
 
LOS ANGELES, CALIFORNIA - NOVEMBER 07: Chappell Roan and Dan Nigro perform at Spotlight: A Night With Chappell Roan and Dan Nigro moderated by Brandi Carlile at GRAMMY Museum L.A. Live on November 07, 2024 in Los Angeles, California. (Photo by Rebecca Sapp/Getty Images for The Recording Academy)
Dan Nigro says that he always knew that Chappell Roan’s Pink Pony Club was something special
 
 
tape double track
This $99 plugin recreates a classic studio technique invented at Abbey Road for The Beatles – and it's free for the next three days
 
 
Eric Clapton and Sheryl Crow perform at Eric Clapton's Crossroads Guitar Festival 2007 held at Toyota Park on July 28, 2007 in Bridgeview, Illinois.
"They put it on hold so nobody else can record it. But he didn’t actually record it. That was when Don Henley said, ‘You need to quit giving your songs away’”: Sheryl Crow says that she once wrote a song for Eric Clapton that never saw the light of day
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

Add as a preferred source on Google
  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...