Waves CLA Epic gives you all of Chris Lord-Alge’s go-to reverbs and delays, and it’s currently 85% off

By Ben Rogerson
( Computer Music, Future Music, emusician )
published

Blend eight processors with a console-style mixer

The bad news is that Waves’ Black Friday plugin giveaway - featuring CLA Echosphere - is now over, but the good news is that CLA Epic, a much-expanded version of this Chris Lord-Alge-branded processor, has just been released at a bargain introductory price.

CLA Epic features renowned mix engineer Lord-Alge’s complete set of go-to reverbs and delays. On the delay side, you get the Slap, Throw, Tape and Crowd modules, while the reverbs are Plate, Room, Hall and Space. They’re all designed to add depth to your mixes, and are based on Chris’s favourite studio gear.

You can use all the modules simultaneously and blend them together using the console-style faders. What’s more, as well as being able to run the effects in parallel, you can also send any delay to any reverb.

CLA Epic comes with 50 presets created by Chris himself - for vocals, drums, guitars and keyboards - and more than 300 presets from other top producers and engineers.

“CLA Epic gives you my way of mixing with depth,” says Chris Lord-Alge. “You can layer reverbs, you can layer delays, and you can mix them all together in one easy-to-use plugin. You can break new ground and create new dimension in your music that you didn’t think was possible.” 

CLA Epic is available now for PC and Mac in VST/AU/AAX formats, and currently costs just $30 (regular price $199) on the Waves website. What’s more, if you buy on Cyber Monday you’ll be able to take advantage of Waves’ ‘buy two plugins, get two free’ offer, so get in quick!

Waves Cyber Monday buy 2, get 4 offer

Waves Cyber Monday buy 2, get 4 offer
And now, for Cyber Monday, buy any 2 plugins from the Waves catalog, including the already discounted ones, and choose any 2 plugins free from this list!

View Deal

Best Cyber Monday deals around the web

Ben Rogerson
Ben Rogerson

I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it. 

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