VST/AU plug-in instrument/effect round-up: Week 26

The best of the rest
We’ve already brought new news of Image-Line’s Groove Machine and Arturia’s SEM V this week, but these are just the tip of the plug-in iceberg. Click on for seven other new music making tools.
The 17 best VST plug-in synths in the world today
The 14 best VST plug-in drum machines in the world today
If you've got a new PC or Mac plug-in, make sure you let us know about it by emailing musicradar.pressreleases@futurenet.com with all the details.
NEXT: Mellowmuse EQ3V

Sound Magic GrandEpiano
Sound Magic has been releasing acoustic pianos in software for a while now, but this plug-in emulates classic electromechanical instruments such as the Fender Rhodes and Wurlitzer. That said, you can also combine it with any Sound Magic acoustic piano module to produce a hybrid sound.

Softube Summit Audio TLA-100A
This software emulation of the famous tube levelling amplifier is a ‘set and forget’ compressor. Its program-dependent nature works with the signal to provide optimum performance, and promises to add a warm, rich sound to the likes of vocals, bass, drums and guitar.
BUY: Softube Summit Audio TLA-100A currently available from Thomann

Antares Auto-Tune EFX 2
This update to the entry-level version of Auto-Tune is based on the same core technology as Auto-Tune 7, the flagship version of the software. The big new feature is Auto-Motion Vocal Pattern Generation, which enables you to apply melodic patterns to your vocals from a built-in and expandable library.

KV331 Audio SynthMaster 2.5
This update to KV331’s semi-modular synth/effects plug-in is rammed with improvements: it’s now cross-platform, there are 400 new factory presets, new filter types and much more. If you pick it up before 15 October, you’ll pay the reduced price of $99.
Buy or download demo of KV331 Audio SynthMaster 2.5
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I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it.


