NAMM 2017: Take a closer look at the Akai MPC X and MPC Live with these tutorial videos
Zaytoven and Bryan Michael-Cox take up the challenge
NAMM 2017: Further to Akai Pro's announcement of the latest generation in MPC hardware, the inMusic brand has also launched four tutorial videos showcasing what the new standalone instruments can do.
Standalone Challenge: Zaytoven
In this episode of the Standalone Challenge, Akai link up with Grammy-award winning producer Zaytoven (Gucci Mane, Migos, Drake, Future). Watch as one of the main architects of the Trap sound, creates a track from scratch using only the MPC Live and an MPK249 plugged directly into the Live. No computers were used in the making of this beat.
Standalone Challenge: Bryan Michael-Cox
The second Standalone Challenge heads into the studio of renowned hitmaker Bryan Michael-Cox (Chris Brown, Justin Bieber, Trey Songz, Mary J. Blige). Plugging his MIDI keyboard and external hard drive directly into the new MPC X, Bryan creates a track on the fly using the sounds contained in the X and a few hand-picked samples. No computers were used in the making of this beat.
MPC Lounge: Audio Tracks
Here's how the new MPC Live handles audio tracks. Using a vocal a cappella, the pitch and tempo of the audio is tweaked using the real-time timestretch and pitch-shift algorithm.
MPC Lounge: Clip Launch
This final demo sees the brand new Clip Launching program in action, using the MPC Live. Powered by the MPC's new timestretching algorithm, the clip launch feature lets you trigger audio loops and samples in realtime.
We'll be testing both of the new MPCs as soon as possible, so check back soon for more on both sampling instruments. Find out more on the Akai Pro website.
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I take care of the reviews on MusicRadar and Future Music magazine, though can sometimes be spotted in front of a camera talking little sense in the presence of real musicians. For the past 30 years, I have been unable to decide on which instrument to master, so haven't bothered. Currently, a lover of all things high-gain in the guitar stakes and never one to resist churning out sub-standard funky breaks, the likes of which you'll never hear.
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