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  1. Tech
  2. Software & Apps

iPhone/iPad iOS music making app round-up: Week 22

News
By Ben Rogerson published 3 February 2011

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Two more for the iPad

Two more for the iPad

A smaller-than-usual round-up this week, but expect a deluge of NAMM-announced iOS releases to arrive soon. Elsewhere in mobile OS news, Google has just launched Android 3.0 (Honeycomb): we’ll leave it to our sister site Techradar to tell you what’s new.

Also make sure you check out these regularly updated features:

The best iPhone music making apps

The best iPad music making apps

If you've got a new iOS app, make sure you let us know about it by emailing musicradar.pressreleases@futurenet.com with all the details.

NEXT: Tim Bolstad’s Dingsaller

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Tim Bolstad Dingsaller, £1.79

Tim Bolstad Dingsaller, £1.79

If you like patching things together, this new ‘iPad music workspace’ should be right up your street. The idea is that you create algorithmic compositions by connecting nodes, which fall into the note, control, instrument and effect categories. MIDI support is coming soon, too.

Buy now from the App Store

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iControlMIDI iMinimoogV, £17.99

iControlMIDI iMinimoogV, £17.99

Spectrasonics has already announced that it’s releasing a controller app for its Omnisphere synth, and now there’s this tablet surface for Arturia’s Minimoog V. The first of two pages is dedicated to tweaking the oscillators, while the second deals with the filter, amp, envelopes and modulation.

Buy now from the App Store

Liked this? Now read: The best iPhone music making apps and The best iPad music making apps

Connect with MusicRadar: via Twitter, Facebook and YouTube

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Ben Rogerson
Ben Rogerson
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Deputy Editor

I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it. 

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