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Riva Starr
Artists “I have an original 909 – every time I use it I feel like I’m ruining it”: Riva Starr's studio essentials
eats everything in his studio
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Pirupa's favourite music software

News
By Computer Music ( Computer Music ) published 26 May 2017

The techno and house-loving producer has Rob Papen to thank for his funky, chunky bottom end

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Ableton Live 9.7

Ableton Live 9.7

“I started with Cubase and found it way too difficult. At the time I was more of a DJ than a producer, and Cubase didn’t make sense.

“Ableton wasn’t so good technically, but it allowed me to find my way in the world of the studio. On average, I create three or four tracks every week on Ableton - that’s good enough for me.”

FULL REVIEW: Ableton Live 9

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Rob Papen plugins

Rob Papen plugins

“Almost all my bass sounds come from Predator and SubBoomBass. Many people comment on the quality of my basses, so I know these are the right plugins for me.

“When it comes to bass, I try not to make things too complicated - I make a cut around 40-50Hz, match the levels to the song, and that’s it. Anything else I leave to the mixing engineer.”

FULL REVIEW: Rob Papen Predator 2

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Arturia ARP 2600 V

Arturia ARP 2600 V

“Some of my tracks have more of a techno feel, and for that, I always turn to my Arturia package.

“The way they’re laid out and the way they sound seems to make sense in the techno environment. A little bit more electronic, a bit more quirky. Yeah, it would be great to have real hardware, but… maybe when I win the lottery.” 

FULL REVIEW: Arturia ARP 2600 V

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Ohm Force OhmBoyz

Ohm Force OhmBoyz

“If I had one small complaint about Ableton - a program that I love - it would be that the sound could be bigger.

“Sure, you can use the onboard delays and they sound OK, but as soon as you put it next to this, you can hear an immediate difference. Not only is it bigger, but it’s warmer and wider. This was a difficult choice for me… I use [Soundtoys] EchoBoy too, so I have to mention it - always my number two.”  

READ MORE: Ohm Force OhmBoyz

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IK Multimedia Classik Studio Reverb

IK Multimedia Classik Studio Reverb

“When you first start making music, it’s natural to get a bit crazy with your plugins. But as time passed, I realised that I was always coming back to the CSR package.

“You get four reverbs with tons of parameters to play with. It’s very, very rare that I have to look for any other reverbs.”

FULL REVIEW: IK Multimedia Classik Studio Reverb

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Computer Music
Computer Music
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Computer Music magazine is the world’s best selling publication dedicated solely to making great music with your Mac or PC computer. Each issue it brings its lucky readers the best in cutting-edge tutorials, need-to-know, expert software reviews and even all the tools you actually need to make great music today, courtesy of our legendary CM Plugin Suite.

Get over 70 FREE plugin instruments and effects… image
Get over 70 FREE plugin instruments and effects…
…with the latest issue of Computer Music magazine
More Info
Read more
Riva Starr
“I have an original 909 – every time I use it I feel like I’m ruining it”: Riva Starr's studio essentials
eats everything in his studio
“Entrance Song is a massive 808 sub and a 909 kick. Those two shouldn’t work together - I’m not sure they were even in key”: Eats Everything on his ever-changing approach to production and DJing
Djrum
"I have a very emotional relationship with my machines”: How Djrum made one of 2025’s best electronic albums
Behringer Model D
10 producers share the studio gear they can’t live without
lone
Lone on how he creates his technicolour, rave-adjacent electronica
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“I probably have that on more records than anything else”: Take a peek inside Vaughn Oliver’s studio
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