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How Daft Punk made Homework: early studio gear and music production methods revealed

Roland TR-909
(Image credit: Future)

With the news that Daft Punk have split up - in typically enigmatic fashion - dominating this week’s hi-tech music headlines, attention has refocused on their legacy and production methods.

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Daft Punk

(Image credit: Tim Mosenfelder / Getty)

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Which brings us to a rare and revealing interview that the duo gave to a Japanese magazine way back in 1999, two years after the band had shaken up the dance music world with their debut album, Homework.

In it, the band - Thomas Bangaleter and Guy-Manuel De Homen-Christo - discuss their gear setup and production methods. As you’d expect, they were heavy users of Roland’s TR drum machines and TB-303 BassLine synth, while sampling was taken care of by models from big-hitters of the time such as Akai and E-MU, with the latter company’s SP1200 a notable studio presence.

Daft Punk’s early love affair with Roland gear, meanwhile (let’s not forget that Homework even goes so far as to feature a track called Revolution 909; the drum machine that was allegedly used to create it  went up for sale in 2017) is further illustrated by their ownership of a Juno-106, MC-202 and MKS-80.

Despite speculation that the lead sound from Da Funk was created using a Korg MS-20, there's no mention of it on this list.

Effects-wise, it comes as no surprise to see the Alesis 3630 on the kit list - this was a staple of French touch production at the time - and the same company’s Microverb II is there as well. The duo had further processing hardware from Behringer, LA Audio, Waldorf and Yamaha.

When it came to recording, Thomas Bangaleter explained that sounds were sent through their mixer (a Mackie MS1202) and compressor to the DAT machine (a Panasonic SV-3700), with MIDI sequencing being taken care of by a Mac running Emagic’s MicroLogic (a pre-Apple, entry-level version of Logic that was available at the time).  

Following some effects processing, sounds from the DAT were then sent to a Roland S-760 sampler to be spliced up, before these bits and pieces were sequenced from the Mac and finished tracks recorded back to the DAT.

It’s all a world away from the joined-up, in-the-box music production world we live in today; Daft Punk were still using zip drives back then, a very ‘90s storage solution. However, many would argue that the relatively primitive nature of their setup was what gave their early music its charm, and that, as technology has given us more creative options, something else has been lost.

Ben Rogerson

I’m the Group Content Manager for MusicRadar, specialising in all things tech. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 20 of which I’ve also spent writing about music technology. 

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