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NAMM 2016: Dunlop showcases Cry Baby Petrucci, Bonamassa Overdrive Special and more

News
By Guitarist, Total Guitar, MusicRadar ( Total Guitar, Guitarist ) published 23 January 2016

Plus Cry Baby Bass-Mini and more

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10 from Dunlop: #1. Cry Baby Petrucci

10 from Dunlop: #1. Cry Baby Petrucci

NAMM 2016: Venerable Californian pedal house Dunlop has brought a slew of new pedals to Anaheim.

Most obviously notable are a new official Petrucci signature Cry Baby and an Overrated Special Overdrive designed for Joe Bonamassa, but there are plenty of other goodies on offer.

PRESS RELEASE

1. Cry Baby Petrucci

The John Petrucci Signature Cry Baby Wah sounds huge and expressive, with all the controls John needs to fine-tune his sound: Volume, Q, and a 6-band EQ to shape frequencies from 100Hz to 3.2KHz £189.99

  • Based on John Petrucci’s Cry Baby Rack Wah settings
  • Ultimate tonal control of wah effect
  • Features Volume, Q, and six EQ controls inside the pedal
  • Smoked chrome finish
Page 1 of 10
Page 1 of 10
2. Way Huge Overrated Special Overdrive

2. Way Huge Overrated Special Overdrive

Joe Bonamassa likes his overdriven sound bold and punchy, and the Way Huge Overrated Special Overdrive is designed to give the impeccable blues man just that. Jeorge Tripps took an old school Green Rhino OD, hot-rodded it for a more pronounced midrange and added a 500Hz control so that Joe can punch up the low mids for his tasty, groovy licks. £189.99

  • Designed specially for Joe Bonamassa
  • Bold, punchy overdrive with pronounced midrange
  • 500HZ control for cutting or boosting low end
  • Limited to 1000 pieces
Page 2 of 10
Page 2 of 10
3. Way Huge Green Rhino Overdrive Mark IV

3. Way Huge Green Rhino Overdrive Mark IV

The Green Rhino Overdrive Mark IV is more compact than its ancestors, but it has more force than ever behind its mighty charge. In addition to the Volume, Tone, and Drive controls of the original, this beastie has the MkII’s 100Hz control and an all new 500Hz control so you can cut or boost your lows and midsby 12dB each way. £129.99

  • Smaller, more pedalboard-friendly housing
  • 100HZ and 500HZ controls for shaping mids and lows
  • Classic switch recalls the tones of the original Green Rhino
Page 3 of 10
Page 3 of 10
4. Cry Baby Bass Mini

4. Cry Baby Bass Mini

The Cry Baby Bass Mini Wah delivers the same sound and functionality as the popular 105Q at half the size with a lighter aluminum housing. Just like its bigger brother, this pedal is optimized to retain a strong, solid fundamental while sweetening up fills and solos, and it’ll fit nicely on your downsized travel board. £119.99

  • Half the size of a standard Cry Baby Wah
  • Optimized for bass frequencies
  • External Q and Volume controls
  • Auto-return switching
  • Lightweight aluminum housing
Page 4 of 10
Page 4 of 10
5. Volume (X) Mini MVP

5. Volume (X) Mini MVP

The Volume (X) Mini Pedal controls volume and FX parameters with the same reliable durability as the DVP3, but it takes up half as much space on your pedalboard. Features a switchable AUX jack that functions as a tuner or expression out. £114.99

  • Controls volume levels and FX parameters
  • Half the size of the DVP3
  • Low Friction Band-Drive for smooth, durable performance
  • Lightweight and pedalboard-friendly
  • AUX output for switchable tuner/expression functionality
Page 5 of 10
Page 5 of 10
6. MXR Reverb

6. MXR Reverb

The MXR Reverb packs six distinct, exquisitely-crafted high end reverb styles into a Phase 90-sized box package with a simple three-knob setup, a hi-fi analog dry path, and an expression output so you can blend setting configurations. £189.99

  • Six meticulously crafted reverbs in one pedal
  • Hi-fi analog and digital audio paths
  • Dry path is 100% analog
  • Studio-grade low noise floor
  • Relay true bypass and delay trails modes
  • Expression pedal jack for foot control of all knob settings
  • Stereo In/Out capability when using TRS cables
Page 6 of 10
Page 6 of 10
7. MXR Studio Compressor

7. MXR Studio Compressor

The MXR Studio Compressor provides classic studio style compression, featuring Attack, Release, Ratio, Input, and Output controls so you can fine-tune your compression level with visual feedback from a bright LED gain-reduction status meter. £192.99

  • Classic studio compressor in a Phase 90-sized pedal
  • CHT™ Constant Headroom Technology for clear, clean performance
  • Ten Gain-reduction status LEDs
  • True bypass
Page 7 of 10
Page 7 of 10
8. Echoplex Delay

8. Echoplex Delay

The Echoplex Delay delivers the legendary Echoplex EP-3’s warm, organic modulation with 750ms of delay time and an Age control to shape the sound of your repeats, from clear and shimmering to saturated and distressed. Features stereo and tap tempo capability, with up to 4 seconds of delay time, and a hi-fi all-analog dry path. £189.99

  • Vintage Echoplex EP-3 tape echo warmth and modulation
  • Hi-fi analog and digital audio paths
  • Dry path is 100% analog
  • Age control varies delay tone from pristine to dark and dirty
  • Delay control provides 65–750ms of delay time
  • Tap tempo jack provides up to 4 seconds of delay time with external Tap Tempo Switch
  • Studio-grade low noise floor
  • Relay true bypass and delay trails modes
  • Stereo In/Out capability when using TRS cables
Page 8 of 10
Page 8 of 10
9. MXR tap tempo

9. MXR tap tempo

The MXR Tap Tempo switch features adjustable tip/ring configuration so you can control the delay time of a wide variety of delay pedal types. This pint-sized footswitch is ruggedly built for a lifetime on the road. £39.99

  • Adjustable tip/ring configuration
  • Ruggedly built, road-ready construction
  • Can be used with a variety of pedal types
Page 9 of 10
Page 9 of 10
10. Way Huge Swollen Pickle Jumbo Fuzz MkIIS

10. Way Huge Swollen Pickle Jumbo Fuzz MkIIS

The Swollen Pickle™ Jumbo Fuzz MkIIS serves up the same burly high gain fuzz as the full-sized MkII but in a more petite package.

With a twist of the Sustain control, you’re taken from mild crunch to Armageddon! The Filter control retains its trademark insane range of heavily bandpass-filtered tones, distinguished by remarkable girth and sizzle, and the Loudness puts out enough volume to clobber any amp!

The Scoop tone stack control elicits classic Swollen Pickle mid-scoop or a flat mid-frequency sweep, and the Crunch knob adjusts the compression intensity of the fuzz. Finally, under the hood, the MkIIS has two internal mini controls: Voice sets the intensity of the external scoop control from light to heavy mid cut, and Clip varies between two sets of clipping diodes for smooth or opened fuzz sustain.

Page 10 of 10
Page 10 of 10
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