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September 2014

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35 articles

September 30
- How to program realistic drum parts: basic beat
September 29
- How to program realistic drum parts: the kit
- How to become a gear demo guy
- 8 tips for gigging with a nylon-string guitar
September 26
- Weekend riff: Michael Jackson - Beat It (main riff)
September 25
- A quick guide to percussion for the electronic producer
September 24
- Point Blank: Ableton Live performance masterclass
- Beefing up a classic breakbeat for dancefloors
- Point Blank: Caribou - Can't Do Without You deconstruction
September 23
- Point Blank: Stefano Ritteri mixing masterclass
- Creating a trance-style rolling bassline
- Point Blank: Rob D - Clubbed to Death live track deconstruction
- Layering your bass to generate upper harmonics
- Crafting a custom kick from separate envelope sections
- Point Blank: mixing dance music in Ableton
- Point Blank: 30 quick fire tips for Ableton Live 9
- How to stack synths for a hands-in-the-air EDM chord sequence
- The A to Z of computer music: U and V
September 22
- 10 steps to producing perfect glitch
September 19
- 7 ways to get more out of your UAD powered plugins
- Bonzo's Birthday Weekend: How to sound like Led Zeppelin's John Bonham
September 17
- How to convert an Ableton Live arrangement into a new scene for performance
- VIDEO: Rockschool Grade Five - Articulations
September 16
- How to set up an Ableton Live project for live performance
September 15
- How to make a Massive bass sound using wavetable synthesis
- How to buy and sell guitar gear
September 12
- Weekend riff: Van Halen - Ain't Talkin' 'Bout Love
- Dale Crover and Coady Willis: 5 drum tips for double drumming
September 10
- How to play in a two-piece band
- How to make a growling bass sound using FM synthesis
September 9
- How to become a games music composer
- How to buy vintage drums
September 8
- How to create a hi-tech live performance setup
- How to start a function band
September 5
- Weekend riff: The Jimi Hendrix Experience - Purple Haze (intro)