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The Squier Hello Kitty Stratocaster returns in limited edition white as Fender announces expanded capsule collection
By Jonathan Horsley published
One of the world's most-loved single-pickup electrics is back in white, the fuzz is back in black, and there's loads of merch and accessories as Fender and the Japanese feline join forces once again

Orange’s King Comp is a monster compressor with the feel of a real amp and super low-noise operation
By Jonathan Horsley published
This beastly Class A VCA sibling of the Kongpressor brings us super low-noise performance, abundant headroom running at 18V DC, and it has ample controls for shaping your guitar tone

Strymon’s Olivera is a oil can delay without the oil, without the mechanics, and with a lot more control over your tone
By Jonathan Horsley published
Vintage sounds from 21st-century tech, the Olivera has a powerful ARM processor under the hood, giving us 300 presets, stereo, MIDI, while a discreet Class A JEFT input preamp keeps things real

Warm Audio channels the greatest hits of classic overdrive with the regal Throne Of Tone dual-drive and the 3-in-1 Tone Squealer
By Jonathan Horsley published
With its Mix knob, three modes and pickup voicing switch, the Tone Squealer could be the TS-style pedal for fans and non-fans alike, while the Throne Of Tone has everything you'd need from a mid-gain drive

Klon Centaur inventor Bill Finnegan’s lawsuit against Behringer over $69 clone has been dismissed
By Jonathan Horsley published
With Behringer's $69 K-style drive renamed as the Zentara, the battle is over. Did Finnegan win in the end?

"The Ridge does something different, which makes it genuinely worthy of praise": Kernom Ridge Overdrive review
By Matt McCracken published
A pedal that gives you all your favourite drives in one box, and then some

KHDK Electronics makes pedals for metal's biggest stars; now it's going to make electric guitars too
By Jonathan Horsley published
KHDK Electronics supremo David Karon debuted his new designs at Guitar Summit, in Mannheim, and while they are not all über-metal, the "all pointy" Model 101 certainly is... metal

Fender adds analogue heat to the Hammertone lineup with the budget-friendly $99 Breakup Drive and Boost pedals
By Jonathan Horsley published
The Hammertone Breakup Drive and Hammertone Boost have abundant tone-sweetening powers with lots of bang for your buck

With an eight-octave range, has Boss raised the standard for pitch-shifting pedals with the XS Poly Shifter range?
By Jonathan Horsley published
The XS-100 is a pitch-shifting workstation with integrated expression pedal, 30 memory slots, MIDI, and lots of range while the XS-1 presents a 6-octave range in compact format

Players who deal in big gnarly riffs might need to add the Way Huge Smalls Doom Hammer to their ‘board ASAP
By Jonathan Horsley published
Inspired by a modded '78 op-amp fuzz, with tighter low-end, the awesomely named Doom Hammer Fuzz is a simple but versatile three-knob stompbox with a wide range of gain
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