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Eventide unveils the H9 Harmonizer Gen 2, now with the complete suite of H90 and algorithms and more
By Jonathan Horsley Published
The multi-effects powerhouse arrives strapped with 74 algorithms, 1,000-plus presets, new interface, polyphonic pitch shifting and it is still a compact unit

"Where it truly triumphs is in its versatility and value proposition": Fender Strobo-Sonic Pro Tuner Pedal review
By Dan Mold Published
Fender gets serious about the tuner pedal at last

Meris unveils the Ottobit X, a high-end purveyor of lo-fi guitar sounds inspired by the ‘80s
By Jonathan Horsley Published
The Ottobit X is a serious piece of equipment for creating fun sounds that take you back to a less serious time

Fender gives the Tone Master Pro a mighty firmware update, adding some classics from its amp archive
By Jonathan Horsley Published
Free to existing users, this update includes a bundle of top-tier amps and effects, and there is a bunch of new features

“I had confused the two similar circuits and made a horrible mistake. I made a video. I told everyone”: JHS Pedals unveils the Fumble – an $89 boost pedal with a seriously complicated back story involving John Mayer, Dumble amps and a ‘70s acoustic preamp
By Jonathan Horsley Published
The Fumble is a two-knob clean boost with a compact housing and lots of pedalboard uses. It might be easy to use, but how it got here is a little more difficult to explain

“Make no mistake, it could grace any professional stage”: Fractal AM4 review
By Trevor Curwen Published
Fractal’s AM4 aims to make the company’s prestigious amp and effects modelling accessible to a larger audience

Stompbox stalwarts Morley and DOD team up for a "WTF" 3-in-1 fuzz, wah and octave pedal
By Jonathan Horsley Published
The Wah-ocTo-Fuzz combines the '80s analogue octave sounds of the DOD FX35 with '70s- Morley Power Wah and Power Fuzz circuits

Oliver Ackermann on the break-stuff tone philosophy behind guitar's most unorthodox pedal brand
By Jonathan Horsley Published
Frontman/guitarist of NYC's A Place To Bury Strangers, pedal designer, noise enthusiast, renaissance man... Ackermann explains why all bets are off in his search for new sounds and tones
![[L-R] Khemmis' Phil Pendergast and Ben Hutcherson [inset] A Behringer Super Fuzz](https://cdn.mos.cms.futurecdn.net/iHZMti6MNfGkUXXpDcEADb-320-80.jpg)
Khemmis just made one of the heavy metal records of the year using a $28 plastic fuzz pedal
By Jonathan Horsley Published
Phil Pendergast's secret weapon was cheap, effective, and perhaps a lesson that cork-sniffing about gear can be a waste of time – and money

"If you’re after a pedal that delivers classic Cry Baby attitude with plenty of versatility, this is the one": Dunlop Cry Baby BB535 Reissue review
By Daryl Robertson Published
Dunlop has crafted a wah-shaped love letter to the guitar gods that made this expressive effect popular in the '90s
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