Rob Redman

We delve deep to discover the capabilities of this deceptive little pocket synth

Come for the reverb, stay for the playability

This 8-bit-inspired synth and sequencer proves a handy companion on epic sound design journeys

Discover how you can now get West coast flavours from a traditionally East coast synth company while enjoying putting it together yourself

Looking for a versatile LFO module? We take the Triple LFO from Ebashi Audio for a spin

This synth voice that doubles as a standalone synth can make you some sounds worthy of the big screen

This two-channel octave controller emits much sweeter results than its name suggests

Is the latest SSL mixer worth the step up from its little brother, the SiX? We take a look

We explore this light-based modulation module

We wax lyrical about our love affair with the Moog One – but is it a keeper?

We ponder whether the British brand’s latest three-oscillator semi-modular synth trumps its predecessor

We give Erica Synths a round of applause for reminding us what’s great about phasers

We take Animoog Z for a spin round some new orbits to see what Moog’s update offers over its predecessor

From the north of Italy comes what we can only describe as a box of inspirational happy accidents

These in-ears look the part, but how do they sound?

We came to check out the authentiticy of this Moog Prodigy reboot, but stayed for the handbuilt charm

We take the Minimoog-inspired 204D for a spin

Erica Synths' aim is to make modular patching more flexible. Let's grab some cables to find out if it's succeeded

Get connected with this useful module for converting signals

Does this updated sampler box of tricks contain any more surprises?

This mixing application makes creating immersive soundscapes a doddle

Brace yourself for another resurrected blast from the past

Time to get acquainted with the Portuguese outfit’s “softer approach to the granular process”

What a difference an ‘x’ makes. Let's explore this sequel to the jammers’ favourite Metropolis sequencer