Latest articles by Ben Rogerson
The guitarist on Michael Jackson’s I Just Can’t Stop Loving You on his “little earworms”
“It’s more of a keyboard song. It’s not guitar music per se,” says Dann Huff
Jack Antonoff on how he channelled the Beatles and Jeff Lynne on Sabrina Carpenter’s Please Please Please
“It feels like just a band in the room,” he says
“I don't even understand it": Daryl Hall can’t get onboard with the concept of yacht rock
“People misjudged us because they couldn't label us,” he says of Hall & Oates
Tommy Emmanuel plays The Beatles and Oasis as he discusses the glaring gap in his musical knowledge
“I can read a chord chart and follow the chords, but I can’t read notes,” he explains
Superbooth 2025: all the latest synth news from Berlin, as it happened
Knob tweakers, assemble!
PinkPantheress explains why her new project, Fancy That, is a mixtape rather than an album
“If I went in thinking it was an album, it probably would have been different in some ways”
"They could barely play”: Trevor Horn on the making of Relax, by Frankie Goes To Hollywood
“We thought that all the record labels would be after them. Nobody wanted them”
Novation’s Bass Station II has officially entered its Swifty era, thanks to a new collaboration
And it’s still tailor-made for beefy low-end sounds
Groove Synthesis announces a more compact and affordable version of its superb 3rd Wave synth
Superbooth 25: “A more accessible entry point to the 3rd Wave sonic universe”
Phase8, Korg’s ‘acoustic synth’, is finally confirmed for release, and it looks and sounds awesome
Superbooth 25: After a couple of years of prototypes, we get now to see the finished product
“Not another multi-effect for your dentist": Polyend’s Mess looks like an FX sequencing powerhouse
Superbooth 25: It promises to be “built for adventurers in sound design”
Hexinverter's analogue drum machine never happened, but Erica Synths' HexDrums is set to put that right
Superbooth 25: It’s infused with Mutant Drum DNA
"Man, this sounds like it's going to be big": Shakira and Wyclef Jean celebrate 20 years of Hips Don’t Lie
“Shakira had a big influence on where she wanted the record to go,” recalled recording engineer Serge Tsai in 2007
Billie Eilish gets the giggles as she covers Radiohead's Creep
For Eilish, it seems that singing the song IS a laughing matter…
It turns out there’s a reason why André 3000 turned up at the Met Gala with a grand piano on his back
After the flutey New Blue Sun we now have 7 piano sketches
"I think I was in a flow process”: Composing the music for the Oscar-winning animated movie, Flow
“I have always been a guy who dreams big dreams. And I always kept in my mind that one of the biggest goals for me in my film career was to have an Oscar”
Doja Cat has some thoughts on fans who obsess over streaming numbers
“Take a look in the mirror and ask yourself in the safety of your mind if you are proud of that person or if you even like what you see,” she advises
“That feel is something you can’t teach": Bonnie Raitt on how she developed her slide guitar style
“That feel is something you can’t teach - it’s something where I just listened and listened,” she says
Lorde says that she needed to find “just the right amount of dirt” to finish her new single
She was working on it with producer Jim-E Stack for almost a year
Super-songwriter Diane Warren on why she prefers to work alone
"I’m like, Really? Wow. What did you guys do?”
Sheryl Crow has her say on Taylor Swift, Olivia Rodrigo, Chappell Roan and Phoebe Bridgers
"These women are not just in the studio throwing in a lyric - they play,” she says
Imogen Heap on Taylor Swift's "extremely efficient" songwriting and recording process
“By the time she left, we had managed to write the song, produce the song, record the song, chat, meet, have tea, sit by the fire, eat lunch, eat dinner, do an entire record all by ourselves”
Rock & Roll Hall of Fame 2025 inductees revealed: The White Stripes, Outkast and Soundgarden are in
Legendary session musicians Carol Kaye and Nicky Hopkins are also in
