
Ben Rogerson
I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it.
Latest articles by Ben Rogerson

How making a mistake while trying to learn a huge Queen song inspired Sienna Spiro to write Die On This Hill
By Ben Rogerson published
“Sounds nothing like it but yeah - thanks Queen,” she says

Songwriter Diane Warren is bewildered by some of her lyrics for what became Aerosmith's biggest hit
By Ben Rogerson published
We'd definitely be willing to miss out on some of those things

Unearthed BBC video from 1986 shows what music technology in the classroom used to look and sound like
By Ben Rogerson published
Can a Yamaha CX5M computer succeed in a world of glockenspiels and triangles?

Apple’s new MacBook Neo might be cheap, but for music producers, could it be a false economy? It’s complicated
By Ben Rogerson published
Whisper it quietly, but this new $599 laptop might just be powerful enough for many musicians

Harry Styles says that “hypnotic” electronic music by the likes of Floating Points and Jamie XX has influenced his new album
By Ben Rogerson published
Kiss all the time. Disco, occasionally. is released on Friday

Sam Fender releases behind-the-scenes footage of him working on a guitar part for hit single Rein Me In
By Ben Rogerson published
It’s just won a Brit Award and reached Number 1 in the UK singles chart

How PinkPantheress’s meteoric rise has been aided and abetted by Basement Jaxx
By Ben Rogerson published
She's described the UK electronic music duo as being "pivotal" to her development as a producer

Laufey reveals that she suffered a cello malfunction during a Grammys performance with Billy Joel
By Ben Rogerson published
“It’s one thing to be a really good pianist, it’s another thing to be a really good songwriter and another thing to be a really good singer, and he’s all three," she says of Joel

How a warped sample and some Anderson .Paak magic helped Ravyn Lenae to create Love Me Not, her viral hit
By Ben Rogerson published
“When I first heard it it reminded me of the feeling I got when I heard Hey Ya!, or when I heard Crazy, by Gnarls Barkley,” she says

In an era of loudness, Laufey is flying the flag for "the lost art of dynamics"
By Ben Rogerson published
Her spine-tingling cover of Joni Mitchell’s Both Sides Now suggests she might be onto something

Miley Cyrus’s lawyers bring music theory to the fore in a bid to have the Flowers copyright case dismissed
By Ben Rogerson published
Cyrus and her co-writers are facing a copyright infringement claim not from Mars himself, but Tempo Music Investments

How politics and legal wrangling shaped the Melania documentary soundtrack
By Ben Rogerson published
Marc Beckman says that they were also denied permission to use songs by Prince and Grace Jones

How Christina Aguilera ended up recording a Linda Perry song that its writer has now reclaimed
By Ben Rogerson published
"Christina, she’s not me, you know? And I’m not Christina"

Baz Luhrmann says that Paul McCartney convinced Austin Butler to sing an Elvis song with him on a train
By Ben Rogerson published
They both had a ticket to ride, presumably (but we don't care)

Can Spotify’s Prompted Playlist feature put you back in the driving seat when it comes to your music listening?
By Ben Rogerson published
Instead of being force fed playlists by the algorithm, you can now try and make it work for you

How Charlie Puth used jazz harmony to “pull off something pretty spectacular” at the Super Bowl
By Ben Rogerson published
“I have the whole arrangement in my head," said Puth in an interview prior to the performance. "I musically know where I’m going with it”

Chris Lake said yes to a Taylor Swift remix before he'd even heard the stems - but then had to make it
By Ben Rogerson published
“I want to nail this so badly," he says in a behind-the-scenes video. "I want this to, like, blow people's socks off, you know?”

How the gift of a divisive Rolling Stones album scuppered the chance of a collaboration between Nile Rodgers and John Mayer
By Ben Rogerson published
Rodgers believes that the 1967 record in question is "the most underrated rock and roll album of all time”

Producer Mike Sabath on starting Raye’s “outrageous” second studio album at an Airbnb
By Ben Rogerson published
“Mark Ronson DM’d me. He was like, ‘Nice.’ And I was like, ‘yeah!’”

Greg Phillinganes schools Clyde Lawrence on how to play the piano part in Toto’s Rosanna correctly
By Ben Rogerson published
The Lawrence member had been tasked with learning the song by ear as quickly as possible

Tony Banks says that virtuoso technique was never his priority, but avoiding "lazy" chord progressions was
By Ben Rogerson published
As for the chances of a Genesis reunion: "don't hold your breath"

James Taylor explains how he had to tell Carole King that he’d recorded one of her greatest songs before she did
By Ben Rogerson published
“I was sure I knew the song already because it was such a classic immediately,” he says. “I literally ran to find my guitar so I could play it”

How Charlie Puth used manifestation and Melodyne to get Kenny G on his new single
By Ben Rogerson published
And in a further twist, they’ve just performed the US National Anthem together at the Super Bowl
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