“People still assume that a female artist is just going to be a singer, and people will listen to my music and ask who I got to do the guitar solos and I’m like, ‘That was me!’”: Maya Delilah on what it's like to be a young female guitar player

BRIGHTON, ENGLAND - MAY 15: (EDITORIAL USE ONLY) Maya Delilah performs on day 2 of The Great Escape Festival 2025 on May 15, 2025 in Brighton, England. (Photo by Joseph Okpako/WireImage)
(Image credit: Joseph Okpako/WireImage/Getty Images)

Rising British singer-songwriter Maya Delilah has been discussing what it’s like to be a young female guitarist in the industry, suggesting that she doesn’t always get the respect that she deserves.

Quizzed by Music Week on her experience of the guitar world, Delilah says: “It is still so male-dominated. I was a tomboy and I did see it as a boys’ instrument. I wonder if I was more of a ‘girly girl’, would I have picked it up? That’s a scary thought.”

After attending the BRIT School - “Olivia Dean was in the year above me and Lola Young was in the year below” - Delilah began her career by posting videos on TikTok on Instagram, where her jazz-infused guitar playing skills were there for all to see.

Even today, though, Delilah says that people are surprised to learn that she played the parts on her records.

“People still assume that a female artist is just going to be a singer, and people will listen to my music and ask who I got to do the guitar solos and I’m like, ‘That was me!’” she says. “So I do really want to advocate for more women playing.”

2025 has been Delilah’s biggest year yet. She released The Long Way Round, her debut album, in March, and is preparing to drop a deluxe edition on 9 January.

“Debut albums are for experimenting,” she says of the record. “I still call myself ‘new’ even though I’ve been doing this for six years.”

Maya Delilah - Squeeze (Live From Middle Farm Studios / 2023) - YouTube Maya Delilah - Squeeze (Live From Middle Farm Studios / 2023) - YouTube
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Ben Rogerson
Deputy Editor

I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it. 

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