East West/Quantum Leap Gypsy

Using EW's new PLAY instrument technology, this 64-bit compatible instrument not only offers fantastic output quality, but also impressive onboard effects and unparalleled cross-platform native compatibility (including Vista 64).

As you may have guessed, it's a playback-only system, so you can't modify individual samples, but with many patches incorporating multiple keyswitching articulations, the idea is that you'll be drawn to the playability of the instruments rather than the technology.

Musically, Gypsy is certainly a strange brew, and articulation options vary from instrument to instrument. But with only 13 instruments to choose from, it's easy to spot the good stuff, and we were particularly impressed by the flexibility of the violin and guitar patches.

It's never easy coaxing realistic solo parts from sample-based instruments, but Gypsy gets you one step closer. However, with a mere 13 instruments (albeit spread across 11GB of samples), you'd be wise to look carefully at the line-up before you splash any cash.

MusicRadar Rating

4 / 5 stars
Pros

Great violins and guitars.

Cons

A couple of other instruments are not so great.

Verdict

Useful for anyone interested in producing 'ethnic' sounds.

Features

Approximately 11 Gigabytes of content, solo instruments with unprecedented detail, violin (true legato intervals) classical and gypsy style, classical guitar, flamenco guitar, Django style guitar, Spanish steel string guitar, Campana accordion, Silvestri accordion, Excelsior accordion, Bandoneon (tango accordion), trombone (true legato intervals) classical and gypsy style, Cimbalom (Eastern European Hammered Dulcimer), flamenco dancer floor stomps and castanets, gypsy percussion.

Compatible Systems

Mac PC

Review Policy
All MusicRadar's reviews are by independent product specialists, who are not aligned to any gear manufacturer or retailer. Our experts also write for renowned magazines such as Guitarist, Total Guitar, Computer Music, Future Music and Rhythm. All are part of Future PLC, the biggest publisher of music making magazines in the world.

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