Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
UK EditionUK US EditionUS AU EditionAustralia SG EditionSingapore
Sign in
  • View Profile
  • Sign out
  • Artist news
  • Superbooth 2026
  • Synths
  • Guitars
  • Controllers
  • Drums
  • Keyboards & Pianos
  • Guitar Amps
  • Music Gear Reviews
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About us
More
  • Superbooth 2026
  • Kate Bush Army Dreamers
  • 95k+ free music samples
  • Theory of Feels
  1. Tech
  2. Software & Apps
  3. Digital Audio Workstation

How to make a track in FL Studio 9

Tuition
By Computer Music published 17 November 2009

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Getting started

Getting started

Step 1: If you don’t own FL Studio 9, download and install the save-disabled demo (click here to download). Create a new project at a Tempo of 125bpm. Delete the sampler instruments in the step sequencer, and create a DrumSynth by right-clicking the instrument slot and selecting Insert»Fruity DrumSynth Live. Right-click the DrumSynth instrument slot and select Piano Roll to bring up the MIDI editor. By default, the keyboard interface shows the drum sounds on each of the keys.

Page 1 of 9
Page 1 of 9
Making the beat

Making the beat

Step 2: While this view makes finding specific sounds easy when programming a beat, locating them in the DrumLive editor is a little trickier. Being able to see the actual MIDI note makes it easier, though, so change over to the larger view by clicking the bigger of the two keyboard icons near the top left-hand corner of the window. Copy the beat shown here.

Page 2 of 9
Page 2 of 9
Editing the drum sounds

Editing the drum sounds

Step 3: To edit the drum sounds, click the DrumSynth slot in the step sequencer, bringing up the instrument’s interface. Select 909 Snare (B3) and copy the oscillator frequency settings shown used here - this turns our traditional snare into an abstract woodblock-style sound.

Page 3 of 9
Page 3 of 9
More drum editing

More drum editing

Step 4: Turn the Volume level of the snare sound to 60%, then select 909 Kick L (G3). Turn the Osc1 envelope Decay time down to 200 for a shorter, punchier kick sound. Next, choose 808 Maracas (G#2) and set its Volume level to 60%. Change the instrument’s FX out in the Channel Settings window to 1.

Page 4 of 9
Page 4 of 9
Adding the bass

Adding the bass

Step 5: In the browser menu on the left, open Plugin Presets»Generators»SimSynth and drag BassDeepSq onto the empty instrument slot in the step sequencer. Copy the settings shown here to get a modulated filter cutoff effect, then sequence a note lasting for the whole bar on G4 to trigger the sound.

Page 5 of 9
Page 5 of 9
Ducking the bass

Ducking the bass

Step 6: Ensure that the DrumSynth and SimSynth are routed to Mixer channels 1 and 2 respectively. Route the DrumSynth track to the SimSynth’s sidechain input and add a Fruity Limiter as an Insert on the SimSynth channel. Copy the Fruity Limiter settings shown here to duck out the bass slightly whenever the kick drum plays.

Page 6 of 9
Page 6 of 9
Adding atmospherics

Adding atmospherics

Step 7: Let’s get some minimal atmospherics in the place. Add another instrument - this time the Wasp XP. Select the Tubular Bells patch and copy the Piano Roll pattern shown here. This sound could do with some reverb, so add a Fruity Delay 2 as an Insert on the Wasp XP channel and set the Time to 6.00.

Page 7 of 9
Page 7 of 9
Arranging

Arranging

Step 8: The step sequencer is great for creating a beat, but it’s easier to use the playlist view for arranging. Bring this up by activating it in the View menu or by pressing F5. FL Studio’s playlist works a bit differently to most sequencers. We want to be able to sequence each element of the song individually, so in the playlist menu, select Playlist Options»Pattern»Split By Channel.

Page 8 of 9
Page 8 of 9
Finishing off

Finishing off

Step 9: It doesn’t matter which playlist track you place the elements on, as they’ll always trigger the correct instrument. For example, select DrumSynth from the top of the playlist and draw it onto the first eight bars. Then select BassDeepSq and draw it in it from bar 9. Finally, draw in Tubular Bells from bar 5. Using this technique, you can quickly create an entire arrangement with a few clicks.

Page 9 of 9
Page 9 of 9
Computer Music
Computer Music
Social Links Navigation

Computer Music magazine is the world’s best selling publication dedicated solely to making great music with your Mac or PC computer. Each issue it brings its lucky readers the best in cutting-edge tutorials, need-to-know, expert software reviews and even all the tools you actually need to make great music today, courtesy of our legendary CM Plugin Suite.

Latest in Digital Audio Workstation
Ableton Live 12.3
Tech Ableton Live 12.4 is out now, with Link Audio and updated Erosion, Delay and Chorus-Ensemble devices
 
 
A laptop on top of some music gear with Ableton Live 12 DAW displayed on it. To the left is a drum kit with some headphones and microphones on it.
Digital Audio Workstation I’m telling every producer I know to upgrade to Ableton Live Lite 12 today thanks to a 25% discount on all versions of this 4.5 star rated DAW
 
 
reason
Tech "It's the DAW you love, redesigned around the only thing that matters – your tracks": Reason 14 launches in public beta
 
 
Apple MacBook Neo
Computers The first reviews of the MacBook Neo are in, and it looks like good news for budget-conscious music producers
 
 
Bitwig
Digital Audio Workstation Get a FREE Bitwig 6 8-Track license exclusively with MusicRadar (Giveaway over)
 
 
bitwig
Tech Bitwig Studio 6 is here with improved automation, Clip Aliases and tons of workflow enhancements
 
 
Latest in Tuition
Gary on synth
Artists How to emulate the sound of Gary Numan’s synth-pop classic Cars
 
 
GForce Software Oddity3
Synths How to master virtually any software synth
 
 
Secret Cinema delivers a techno masterclass in the studio
Tech "Record everything all the time – and keep it all": 8 pro techno producers explain how they create their tracks
 
 
Scale
Guitar Lessons & Tutorials "Don't play scales just to get faster. Speed is a happy by-product of playing more accurately": Beginner Guitar Lessons - nailing scales
 
 
Guitar maintenance
Guitars "There isn't one correct answer": 6 things you need you need know about how to clean and condition your guitar fretboard
 
 
Logic screenshot
Music Production Tutorials How to pan like a pro and spread your mix across the stereo image
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

Add as a preferred source on Google Add as a preferred source on Google
  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...