MusicRadar Verdict
The M50x may be more expensive than the outgoing M50 (which is now under £100) but it's worth it.
Pros
- +
Improves on the M50's great design.
Cons
- -
Pricier than the model it replaces.
MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test.
When we last reviewed the M50 studio headphones we were knocked out by its performance for just £120. Well, AT has monopolised the M50's lead in the shape of a brand new M50x, and added the M40x and M30x for those who need quality at an even keener price.
"We'd happily mix with the M50x, which we would have shied away from on the old model"
The only true physical change is the M50x's new removable cable. Cups still spin 180 degrees on the horizontal and vertical on a sturdy hinge for shoulder mounting single-cup DJ styling.
Comparing M50x to M40x it's clear that the larger driver (45mm over 40mm) delivers better bass but it's the increased clarity and mid definition that surprised us.
And comparing M50x to the old M50 the difference hits home as soon as you tax them with dense Electronic tracks. M50x goes deeper and feels clearer and more airy, with the M50 sounding more like the M40x. We'd happily mix with the M50x, which we would have shied away from on the old model.
The M50x may be more expensive than the outgoing M50 (which is now under £100) but it's worth it. And if £100 is your limit try the M40x or bag an old M50.
- The best Audio-Technica headphones for recording
- Sennheiser HD 25 vs Audio-Technica ATH-M50x: headphones head-to-head
- More of the best studio headphones under $200/£200
- Explore more of the best DJ headphones
- Save cash with the best budget studio headphones
“It's rare to encounter a song from the last 70 years that doesn’t involve it in some way”: Why reverb is one of the most reliable effects in a producer's arsenal
“All the albums I did with Metallica were recorded on 24-track analogue tape. There’s not a computer in sight”: How Flemming Rasmussen produced Metallica’s classic Master Of Puppets
“We could see John begin smiling. At the end of the first verse, he gave an exuberant thumbs-up and McCartney and Harrison began slapping each other on the back”: How one Beatles track spawned a recording technique revolution
