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“Prince had rented out the theatre with free popcorn for everyone”: Cory Wong on the night Prince ditched a jam session for a movie
By Amit Sharma published
“People never knew what they were going to get”

"When he tried turning it off, he literally couldn’t”: 5 things Peep Show taught us about music production
By Tim Cant published
The trick is to use multiple musical ideas simultaneously and give your tracks a powerful sense of dread

“It didn’t seem like it was going to benefit anybody”: Why the reasons for Josh Freese’s sacking from Foo Fighters were kept vague
By Beth Simpson published
But Freese says “no one should feel sorry for me”

“The little idiot”: Dave Davies hits back at Moby calling Lola “unevolved” and “transphobic”
By Beth Simpson published
And he quotes Jayne County’s thoughts about the song

“On the spur of the moment I said, ‘I’m going to do the backing vocals in Spanish’”: How The Clash created their biggest hit
By Amit Sharma published
“It was just a good rockin’ song – our attempt at writing a classic”

The most exciting synth we played at NAMM 2026 is now available to order
By Matt Mullen published
DMNO is a polyphonic, multitimbral hybrid analogue/digital synthesizer from UDO, the British brand behind Super 6 and Super Gemini

“Some people think writing songs is like drawing from a well. It’s more like a muscle you work out”: Avalon Emerson on Written Into Changes
By Jim Ottewill published
From the DJ booth of Berlin’s Panorama Bar to the Balearic synth-pop of the Charm, Avalon Emerson is embracing the freedom of a borderless musical landscape

Robben Ford on how playing with Miles Davis set him up for life
By Jonathan Horsley published
Ford wasn't a jazz player when he joined up with Davis in 1986 but he would soon learn – and it give him a sense of self-confidence that's with him to this day
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