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“You’re the only one who made it to the end of the song — you’re hired!”: The madness of Captain Beefheart's masterpiece
“Man, it was weird!” recalls bassist Rockette Morton
The ultimate compression cheat sheet – go-to settings to help you make better music
Confused about where to start with compressors and dynamics effects? We'll guide you through the essential features and settings
“It’s about reconfiguring what a human voice is so it’s not just aesthetic, but political”: Lyra Pramuk turns vocal processing into protest on new project Hymnal
On her second LP, Lyra Pramuk collides experimental vocal edits with classical instrumentation to create an eerily beautiful sonic symphony
“One of the most iconic synthesizers of all time, in a highly usable and great sounding piece of software”: GForce Software Oberheim TVS Pro review
Introducing a software rebirth, based on a hardware reissue. GForce presents two seminal voices in a single legendary Oberheim
Unpicking the Beach Boys’ classic that confirmed Brian Wilson’s creative genius
Conceived as an all-in-one ‘pocket symphony’, Good Vibrations was thematically triggered by the notion that dogs could sense the positive or negative energies of humans
Sack The DJ: Apple launches its new feature that can mix tracks using AI
AutoMix can timestretch and beat match
“All my equipment kind of glowed and then shut down”: The weather event that shaped a Richie Hawtin classic
“I probably made some of the hardest tracks I ever did”: The literal lightning strike behind Dimension Intrusion
“Now the deck is heavily stacked against old farts like myself!”: The classic rock singer exiled by his old band
