VST/AU plug-in instrument/effect round-up: Week 53
Sirens, echoes, choruses, keyboards and more

And we're back
It’s been a while since we were with you: in the time since our last round-up we’ve seen the launches of Sonic Charge’s Permut8, iZotope’s Alloy 2, LinPlug’s CrX4 and plenty of other plug-ins that you’re about to learn more about.
Also make sure you check out these regularly updated features:
The 20 best VST plug-in synths in the world today
The 14 best VST plug-in drum machines in the world today
If you've got a new PC or Mac plug-in, make sure you let us know about it by emailing musicradar.pressreleases@futurenet.com with all the details.
NEXT: Tek’it Audio DubSiren

Tek'it Audio DubSiren
If you want to create those siren sounds that are associated with Jamaican dub and reggae, here’s a plug-in that’s devoted to the job. It’s actually a synth rather than a sample-based instrument, so you have full control over your siren’s speed and tone. Distortion and ping pong delay effects are included, too.

XLN Audio Addictive Keys
You may be aware of Addictive Drums, XLN Audio’s sample-based software solution for realistic drum sounds. This is its keyboard sibling, the full Studio Collection version of which features grand and upright acoustic pianos and an emulation of the Fender Rhodes Mark 1 electric piano. These instruments are also available separately, as is a free version of the grand piano.

SonicXTC Filter Cut Drive
The SonicXTC production line seems to be running at full capacity at the moment: this release is designed to add a cutting edge to your sounds, and simulates the process of a signal being taken out of a console, amped up and then re-recorded. Filter/Echo and LFO/Chorus sections are here too.

Softrave Vintage Space Chorus
Like some other of Softrave’s recent plug-ins this one’s based on an Electro-Harmonix guitar pedal. It’s designed for creating unusual stereo chorus space effects for rock, electronica, disco and more experimental styles.
Buy or download demo of Softrave Vintage Space Chorus
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I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it.


