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VST/AU plug-in instrument/effect round-up: Week 42

News
By Ben Rogerson
Published 18 April 2012

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The heat is on

The heat is on

We’ve got a warm feeling inside this week, as many of the plug-ins we’re featuring are designed to add an always desirable touch of analogue-style colouration.

It’s not all vintage-style effects, though: we also have a couple of instruments and a more forward-thinking processor for you to consider.

Also make sure you check out these regularly updated features:

The 20 best VST plug-in synths in the world today

The 14 best VST plug-in drum machines in the world today

If you've got a new PC or Mac plug-in, make sure you let us know about it by emailing musicradar.pressreleases@futurenet.com with all the details.

NEXT: Sinevibes Reactive

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Page 1 of 9
Sinevibes Reactive

Sinevibes Reactive

Sinevibes’ latest release promises to turn any audio into melodic material. It does this by detecting the input signal’s dynamic envelope and transforming it into pitch information via a note matrix with eight switchable patterns. There are three distinct synth engines, too; if you pre-order now you’ll get Reactive for the discounted price listed above.

Pre-order Sinevibes Reactive

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Page 2 of 9
Tone2 Saurus

Tone2 Saurus

Announced last month as Taurus, this new synth has now arrived under the Saurus moniker. Featuring True Analog Modelling Technology, it aims to deliver great sound with low CPU usage and sports both standard and more exotic waveforms. Multiple modulation options and effects are included, too.

Buy or download demo of Tone2 Saurus

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Page 3 of 9
ToneBoosters TB ReelBus

ToneBoosters TB ReelBus

ReelBus simulates the sound of seven reel-to-reel tape recorders, including their frequency and level dependent saturation, inter-modulation effects, bias dependencies, tape hiss, asperity noise, wow and flutter and clipping of electronic circuitry. Use it on the master bus to add subtle sweetening and enhancement.

Buy or download demo of ToneBoosters TB ReelBus

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Page 4 of 9
SKnote Grasso

SKnote Grasso

A complete saturation and dynamics unit that offers tube modelling, level-independent dynamics and dynamic filtering and the cheekily named spank knob that controls post-drive dynamic response. Grasso is designed to add colour and dynamic control to both complete mixes and individual tracks.

Buy SKnote Grasso

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Page 5 of 9
Waves NLS

Waves NLS

This non-linear summing plug-in is based on three classic consoles owned by producers Mark ‘Spike’ Stent, Mike Hedges and Yoad Nevo. After modelling in excess of 100 channels, Waves is confident that it’s captured the unique colour, character, and behaviour of each and every input and summing bus amp.

Buy or download demo of Waves NLS

Page 6 of 9
Page 6 of 9
WOK Mixtube

WOK Mixtube

A new one-knob plug-in that models the sound of a mixing desk with a tube input stage. Add it to individual tracks or the master output to experience “a warmer, thicker sound… with every signal fitting better in the mix”. You can achieve subtle enhancement or audible tube distortion depending on how far you push the Drive control.

Buy or download demo of WOK Mixtube

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Page 7 of 9
112dB Big Blue Compressor

112dB Big Blue Compressor

Although it’s billed as a modern compressor, Big Blue is also said to have vintage qualities. So, you can make it sound transparent or add character and warmth; and while the lookahead function is contemporary, it also offers the transient saturation that’s common to tube compressors.

Buy or download demo of 112dB Big Blue Compressor

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Page 8 of 9
DaSample QPads

DaSample QPads

Based on DaSample’s simple interface design, this new instrument is designed to produce ‘deep’ sounds that deliver atmosphere and tension. It uses Stack Module synthesis and comes with FX, automation options and FM oscillators.

Buy or download demo of DaSample QPads

Liked this? Now read: Free music software: the best audio app and plug-in downloads on the net

Connect with MusicRadar: via Twitter, Facebook and YouTube

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Ben Rogerson
Ben Rogerson
Social Links Navigation
Deputy Editor

I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it. 

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