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“We support the Government’s decision”: Plans to let AI firms pilfer copyrighted material are dropped
By Will Simpson published
Consultation found only 3% supported government plans

“Might have become our favourite reverb, covering a lot of ground, from the smallest snappiest rooms to vast, endless galaxies”: Erica Synths Nightverb review
By Rob Redman published
We’ve never wanted to ‘play’ a reverb before but now we can. We don't want to stop!

iZotope's Tonal Balance Control 3 captures audio directly from Spotify, YouTube and your DAW timeline for fast and intuitive referencing
By Matt Mullen published
The next generation of iZotope's analysis tool makes it easier than ever to reference against your favourite tracks

The first reviews of the MacBook Neo are in, and it looks like good news for budget-conscious music producers
By Ben Rogerson published
Both Ableton Live and Logic Pro run just fine, it would seem

Roland unveils its first generative AI tool, Melody Flip
By Si Truss published
Forthcoming Cloud AI tool develops “Roland’s vision of technology as a partner that coexists with the creative process”

"I knew this device would be controversial": ChatDSP generates instruments and effects in Max for Live from text prompts
By Matt Mullen published
Dillon Bastan's latest device has sparked heated debate among the M4L community

"How real can drums feel inside a plugin?": Klevgrand promises to "redefine what a drum sampler can be" with OneShot 2
By Matt Mullen published
OneShot 2 features a new Motion Engine designed to create phrases that "breathe and evolve" by morphing through multiple samples, such as cymbal swells, brushed textures or foley elements

"Lot after lot, we felt like we were making history”: John Lennon’s Broadway piano goes for £2.5 million
By Will Simpson published
He used it to write A Day In The Life

How to replicate the sample-based sonics of a gnarly Prodigy classic
By Roland Schmidt published
Dissecting one of the big beat heavyweights’ most iconic bangers, and learning how to recreate its sound ourselves

“All I hear is ‘Auto-Tune sucks’ and 'drum machines have no soul'”: Flying Lotus on the backlash against AI music
By Matt Mullen published
FlyLo weighs in on Suno and talks us through the making of BIG MAMA, a chaotic speedrun of an EP that zooms through chiptune, breakcore and jazz fusion without looping a single bar
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