NAMM 2013: Moog Sub Phatty revealed

NAMM 2013: Following several weeks of rumours and teasers, Moog has officially unveiled its newest synth: the Sub Phatty.

Billed as "the grittiest Moog synth ever", this sports two variable waveshape oscillators, one square wave sub oscillator and one noise generator. It promises to "open the door to unprecedented sonic exploration".

Check out demo videos and official specs below and find out more on the Moog website.

Moog Sub Phatty official information

Say hello to the Sub Phatty, the grittiest Moog Synth ever.

Moog Music's engineers have crafted the Sub Phatty's oscillators to perform with extreme accuracy and require almost no warm-up time. Just power up, dial in your settings, and put your fingers to work on the keys to summon crisp and detailed waveforms, a vibrant and articulate sound that more than honors the rich sonic density synonymous with Moog creations.

The Sub Phatty is the first analog synth to feature Moog's transformative new Multidrive section; at low settings Multidrive adds warmth and girth, but when pushed, it delivers a screaming snarl that is highly reactive to resonance, waveshape, and oscillator level. Experiment with this new circuit and unlock an undiscovered world of vivid analog tonalities.

The mixer section offers innovations of its own, including a sub oscillator that outputs a square wave one octave below Oscillator 1. Use this powerful tool as a third oscillator for added depth, or to craft your own customized incarnation of monstrous Moog bass. Also in the mixer section is a noise generator voiced to deliver low-frequency content, rich with body and punch. If your goal is to sculpt analog percussion and sound effects, look no further.

The Sub Phatty features a wide range of parameters just below the surface, and all features are easily accessible from the instrument's front panel, or via the free standalone/plugin editor. Select filter poles, assign wave mod destinations, or specify pitch bend amounts — it's all there.

The Sub Phatty brings a fearless new voice to the Moog family of synthesizers. With its streamlined interface and dynamic sound design flexibility, this new synth fuses an unparalleled connection between human & machine, opening the door to unprecedented sonic exploration.

Specs

  • Sound Engine: Analog
  • Number of Keys: 25
  • Type of Keys: Semi-Weighted
  • Other Controllers: Pitch Bend, Mod Wheel
  • Polyphony: Monophonic
  • Sound Sources: 2 Variable Waveshape Oscillators, 1 Square Wave Sub Oscillator, 1 Noise Generator
  • Oscillator Calibration Range: 22Hz-6.8KHz.Guaranteed note range at 8' of Note 18 to 116
  • Mod Sources: Triangle, Square, Saw, Ramp, SH, Filter Envelope
  • Mod Destinations: Pitch, Osc 2 Pitch Only, Filter, Waveshape
  • Filter: Moog Ladder Filter 20Hz-20Khz
  • Audio Input: 1xTS
  • Audio Output: 1xTS, 1xTRS Headphone
  • Presets: 4 Banks, 4 Patches Per Bank
  • MIDI I/O: DIN In, Out, and MIDI over USB
  • CV/Gate Inputs: Filter CV, Pitch CV, Volume CV, KB Gate
  • Transposition: +/- 2 Octaves
  • LFO: 0.1Hz-100Hz
Ben Rogerson

I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it.