NAMM 2019: The Ibanez Altstar is the RG-headstocked acoustic you never knew you wanted
New electro-acoustic designed for electric players unveiled
NAMM 2019: In amongst its 40 new electrics, fresh signature models and 19 new basses, you’d be forgiven for overlooking Ibanez’s acoustics for 2019, but there’s one that certainly catches the eye this year - meet the Altstar.
Like a number of Ibanez acoustic guitars, the Alstar ALT30 is designed for electric players transitioning to acoustics - and it certainly makes that clear with its visuals. RG headstock? Check. Sharkfin inlays? Check, albeit modified. Colourful finishes? You betcha.
That continues to the playability, with a flat 15.7” radius on the laurel fretboard, 22 frets, and a neck join at the 16th fret, which should ensure greater upper-fret access than your common-or-garden 12-fretter.




The guitar’s compact dreadnought body is constructed with a spruce top, plus sapele back and sides, while there’s also a laurel bridge, and Ibanez under-saddle pickup and preamp with onboard tuner.
Four finishes are on offer: Indigo Blue Burst High Gloss, Natural Browned Burst High Gloss, Red Coral Sunburst and Transparent Charcoal Burst, all with matching headstocks - honestly, we quite like the looks of the acoustic Ibanez scroll font up there.
If you fancy a go on the electric-acoustic hybrid, it’ll set you back $299 - see Ibanez for more details.
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Mike has been Editor-in-Chief of GuitarWorld.com since 2019, and an offset fiend and recovering pedal addict for far longer. He has a master's degree in journalism from Cardiff University, and 15 years' experience writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as 20 years of recording and live experience in original and function bands. During his career, he has interviewed the likes of John Frusciante, Chris Cornell, Tom Morello, Matt Bellamy, Kirk Hammett, Jerry Cantrell, Joe Satriani, Tom DeLonge, Radiohead's Ed O'Brien, Polyphia, Tosin Abasi, Yvette Young and many more. His writing also appears in the The Cambridge Companion to the Electric Guitar. In his free time, you'll find him making progressive instrumental rock as Maebe.
