The Fender stand in pictures
Musikmesse 2011: Fender’s biggest announcement of 2011’s Frankfurt show is, without a doubt, the Pawn Shop Series. A brand-new range of electrics inspired by some of the company’s more leftfield instruments from the mid-1960s to the mid-'70s.
But that’s not all. This year we were lucky enough to get a closer look at the Super-Sonic 100 amp and Classic Player guitars with new finishes. Not to mention Jackson’s latest Phil Demmel Signature King V additions, new EVH Wolfgang models and four brand-new Takamine acoustics.
So sit back and click through a gallery of Fender’s (and its associated brands') Musikmesse 2011 stand. It’s like being there… without the trade show rumble, of course. First up: those new Pawn Shop Series electrics…
Pawn Shop Mustang Special - RW
Read more spec from the press release: Fender announces Pawn Shop Series
Pawn Shop Mustang Special - RW
Read more spec from the press release: Fender announces Pawn Shop Series
New Classic Player finishes
Jackson Phil Demmel Signature King V - Black
Jackson Phil Demmel Signature King V - Gold
EVH Wolfgang Quilted Maple Top
EVH Wolfgang Maple Top
EVH Wolfgang Quilted Maple Top
“Maintain a consistently optimal neck setup, playability, and string action, regardless of changing environmental conditions”: Has Furch just made acoustic guitar setups a thing of the past with its new CNR System Active neck?
“For most of the songs, you need old, dead strings for sure, or else it does not sound right”: Nick Baxter reveals the setup secrets and custom Gibson acoustics behind Timothée Chalamet’s tone in Bob Dylan biopic A Complete Unknown
“Maintain a consistently optimal neck setup, playability, and string action, regardless of changing environmental conditions”: Has Furch just made acoustic guitar setups a thing of the past with its new CNR System Active neck?
“For most of the songs, you need old, dead strings for sure, or else it does not sound right”: Nick Baxter reveals the setup secrets and custom Gibson acoustics behind Timothée Chalamet’s tone in Bob Dylan biopic A Complete Unknown
