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  1. Guitars

End of the Road guitars take relic'd finishes to a whole new level

News
By Michael Astley-Brown
Published 7 March 2016

Devil & Sons' creations are fully playable electrics

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Introduction: smashing

Introduction: smashing

If you long for the street cred of a guitarist who smashes their axes on a regular basis but are too health and safety conscious to have chunks of alder flying in your face, Devil & Sons' End Of The Road guitars are for you.

Despite their beaten-up appearance, these S-style electrics are completely playable and – given the price relic'd guitars go for these days – surprisingly affordable, at £750 a go.

Have a browse through our gallery for a closer look at the insane amount of work that goes into these battered guitars – and be sure to check out Devil & Sons' stunning movie-inspired creations, too.

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Page 1 of 5
Page 1 of 5
Full guitar

Full guitar

The neck may be off at an angle, but the strings are still aligned with the pickups and bridge, so playability is unimpeded.

That said, the vibrato arm is for show only; it doesn't actually work. You'll see why later…

Page 2 of 5
Page 2 of 5
Body

Body

End Of The Road guitars start life as Squier Bullet Strats before being remodelled beyond recognition – the full process is detailed in the video below.

YouTube YouTube
Watch On

Four finishes are available: black, Olympic White, Brown Sunburst and Fiesta Red - although the colour is hardly the first thing that's going to grab your eye.

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Page 3 of 5
Electronics

Electronics

Although three pickups are visible on the guitar, only the neck and bridge are operational; the centre pickup is unwired. Probably for the best, since it's dangling in a massive cavity.

Page 4 of 5
Page 4 of 5
Rear

Rear

And here's why the vibrato doesn't work: the guitar's strings are aligned with the string-through-body holes round the back – that whammy is most definitely out of commission.

Still, it's not easy to find a hardtail Strat these days, is it?

Don't Miss

These awesome movie-inspired electric guitars combine celluloid and nitrocellulose

13 of the most amazing 3D-printed guitars

Page 5 of 5
Page 5 of 5
Michael Astley-Brown
Michael Astley-Brown
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Mike has been Editor-in-Chief of GuitarWorld.com since 2019, and an offset fiend and recovering pedal addict for far longer. He has a master's degree in journalism from Cardiff University, and 15 years' experience writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as 20 years of recording and live experience in original and function bands. During his career, he has interviewed the likes of John Frusciante, Chris Cornell, Tom Morello, Matt Bellamy, Kirk Hammett, Jerry Cantrell, Joe Satriani, Tom DeLonge, Radiohead's Ed O'Brien, Polyphia, Tosin Abasi, Yvette Young and many more. His writing also appears in the The Cambridge Companion to the Electric Guitar. In his free time, you'll find him making progressive instrumental rock as Maebe.

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