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“Clearly the M-10 is not tuned for this type of music”: V-Moda M-10 review
By Jon Musgrave published
If you like your headphones to be loud and punchy, then this stylish design could be for you

Music studio complex opens in former nuclear bunker in The Hague
By Matt Mullen published
Subterra has transformed the Cold War-era bunker into a "cultural hub for upcoming and established musical talent"

Dub pioneer Adrian Sherwood on embracing AI and playing the studio like an instrument
By Si Truss published
How AI tech worked alongside vintage studio gear to create The Collapse of Everything

“A very capable piece of kit that will see most players a long way into their gigging career”: the t.bone IEM D2.4 review
By Pete Emery published
Budget-friendly and feature-packed – perhaps more than just the perfect introduction to in-ear monitoring

IK Multimedia upgrades iLoud Precision studio monitors with redesigned hardware and enhanced room correction
By Matt Mullen published
The new ARC X software is a free upgrade for all registered owners of iLoud Precision, iLoud Micro Monitor Pro, iLoud MTM MKII, ARC Studio, and ARC 4

Laufey says she’s happy to use voice memo recordings and doesn’t pay much attention to the mics she uses
By Ben Rogerson published
“I think the phone sounds great sometimes"

“If all you want is the classic T-Pain style heavy Auto-Tune sound, then look no further than the VX5”: HeadRush VX5 Vocal Processing Pedal with Antares Auto-Tune review
By Daniel Flitcroft published
A pedal which delivers studio-grade Auto-Tune that ultimately frustrates in all other departments

iZotope Ozone 12 adds new machine learning modules and a more musician-friendly AI assistant
By Si Truss published
The latest version of iZotope’s mastering suite claims to be more intelligent than ever
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