Skip to main content
Music Radar MusicRadar The No.1 website for musicians
Sign in
  • View Profile
  • Sign out
  • Guitar Amps
  • Guitar Pedals
  • Synths
  • Guitars
  • Artist news
  • Keyboards & Pianos
  • Controllers
  • Software & Apps
  • Drums
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About Us
More
  • Santana on Beck
  • Friday, I'm in Love
  • Knopfler's 4-note secret
  • 95k+ free music samples
Recommended reading
Burial EP
Artists Enigmatic producer Burial releases a new 23 minute EP, Comafields and Imaginary Festival
Silva Bumpa Feel Da Same
Artists Why Silva Bumpa created his own R&B instrumental just to remix it into the garage-inspired Feel Da Same
Eight producers
Artists "Turn a few seconds into a four minute, finished piece of music”: 8 producers show how they finish tracks
roland tr-808
Tutorials "The TR-808's bass drum is undoubtedly the most recognisable electronic kick sound of all time": How to get the perfect 808s
Marshall Jefferson
Samples SampleRadar: 267 free deep house samples
808
Samples SampleRadar: 167 free processed 808 and 909 samples
Calvin Harris Blessings guitar
Artists Calvin Harris reveals the unconventional method he used to record the guitar riff on new single, Blessings
  1. Tutorials
  2. Music Production Tutorials

How to make a Burial-style beat

Tuition
By Computer Music ( Computer Music ) published 2 October 2009

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Audio only

Audio only

Step 1: It’s said that Burial doesn’t use a traditional sequencer, preferring to create his tracks in Sony’s Sound Forge audio editor. This means that his tracks don’t rigidly fit to a regular grid. We can do the same in a DAW (we’re using Reaper, the demo version of which can be downloaded from here) by turning off Snap.

Page 1 of 8
Page 1 of 8
Kick and snare

Kick and snare

Step 2: Drag in some kick and snare samples from our Burial beats folder (right-click to download). At this stage, we just want to get a groove going with the kick and snare. Place the first kick at the start of the first bar, but don’t worry about where the other beats sit in relation to the tempo track – just go for what sounds good.

Page 2 of 8
Page 2 of 8
Looping

Looping

Step 3: Once you’ve got a rhythm you like, you’ll want to loop it. As you’re not working to a tempo track, set the left locator at the start of the bar in which you placed the first kick, and experiment with right locator placement until the loop sounds right.

Page 3 of 8
Page 3 of 8
Layering sounds

Layering sounds

Step 4: You’ll likely find that you want to beef up the snare with some supplementary sounds. Sidestick and rimshot samples are particularly useful for Burial-style beats, so try layering some up with your regular snare sound. A shaker or hi-hat over the snare can also some add top-end, if required.

Page 4 of 8
Page 4 of 8
Additional sounds

Additional sounds

Step 5: With the kick and the snare sorted, let’s fill in the gaps with some other percussion sounds, such as open hi-hats. You’ll find appropriate samples in the Burial beats folder, but bear in mind that Burial often uses non-standard samples for this kind of task, such as metallic Foley-style sounds taken from films and videogames.

Page 5 of 8
Page 5 of 8
Hi-hats

Hi-hats

Step 6: To create realistic shuffle rhythms, it helps to use multiple hi-hat samples – if you repeat the same samples too many times within a beat, they can sound very artificial. So use the two closed hi-hat samples in the Q&A folder together, as we have here.

Page 6 of 8
Page 6 of 8
More shuffle

More shuffle

Step 7: As well as hi-hats, sometimes finger snaps and other percussive sounds make for good shuffles. Create another shuffled groove with the closed hi-hat and finger snap samples in the Burial beats folder. If you’re having trouble, open the example Reaper project, which you can find in the same place.

Page 7 of 8
Page 7 of 8
Setting the tempo

Setting the tempo

Step 8: Once done, you’ll probably want to set your DAW’s tempo to that of the loop. If your DAW doesn’t feature any kind of ‘set tempo by locators’ function, you can do this by dividing 240 by the length of the beat in seconds. For example, if your loop lasts two seconds, the tempo will be 120bpm.

Listen to our Burial-style beat:

Page 8 of 8
Page 8 of 8
Computer Music
Computer Music
Social Links Navigation

Computer Music magazine is the world’s best selling publication dedicated solely to making great music with your Mac or PC computer. Each issue it brings its lucky readers the best in cutting-edge tutorials, need-to-know, expert software reviews and even all the tools you actually need to make great music today, courtesy of our legendary CM Plugin Suite.

Read more
Burial EP
Enigmatic producer Burial releases a new 23 minute EP, Comafields and Imaginary Festival
Silva Bumpa Feel Da Same
Why Silva Bumpa created his own R&B instrumental just to remix it into the garage-inspired Feel Da Same
Eight producers
"Turn a few seconds into a four minute, finished piece of music”: 8 producers show how they finish tracks
roland tr-808
"The TR-808's bass drum is undoubtedly the most recognisable electronic kick sound of all time": How to get the perfect 808s
Marshall Jefferson
SampleRadar: 267 free deep house samples
808
SampleRadar: 167 free processed 808 and 909 samples
Latest in Music Production Tutorials
Auto Filter Tutorial
6 ways to bring your tracks to life with Ableton Live’s revamped Auto Filter
Eight producers
"Turn a few seconds into a four minute, finished piece of music”: 8 producers show how they finish tracks
ableton
8 things you can do with Ableton Live's updated Auto Filter device
API
Our pick of the very best VCA compressor software emulation plugins for any music project
Native Instruments Raum
How to use reverb to build impressive-sounding filters, reverses, risers and pads
Uvi Phasor
How modulation effects work and how to use them
Latest in Tuition
Auto Filter Tutorial
6 ways to bring your tracks to life with Ableton Live’s revamped Auto Filter
Plugins
How to get famous sounds and effects using only Logic’s stock plugins
Plugin Chains
How to emulate a classic analogue recording system entirely with plugins
Odin 2
Fantastic (free) plugins and how to use them: The Wave Warden Odin 2
ableton
8 things you can do with Ableton Live's updated Auto Filter device
Native Instruments Raum
How to use reverb to build impressive-sounding filters, reverses, risers and pads

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...