MusicRadar Verdict
With Cubase 5 LE and a bizarre GM soft synth (PC-only) also in the box, this is a decent package at a fair price.
Pros
- +
Solid build and decent sound.
Cons
- -
Crackle issues on our test model; less full-featured for OS X.
MusicRadar's got your back
Solid and quite heavy, this angular metal box feels like it could survive a nuclear war.
The Studio 22 Pro's two XLR/jack combo inputs and two 1/4-inch jack outputs are supplemented by two pairs of phonos, with outs mirroring the outputs and ins mixed with the inputs. The box also features MIDI I/O with activity monitor indicators, 48V phantom power and buttons to switch between instrument and line level signals.
Main out and headphone volume levels are set independently, and direct monitoring is controlled by a Mix knob. Annoyingly, our test unit exhibited a bit of crackle at the anticlockwise end of the Mix knob's range.
Audio quality is impressive, albeit limited to 16-bit/44.1kHz under OS X. Windows users can download the ASIO driver from the Prodipe website for latency as low as 2ms, the ability to combine up to four Studio 22 Pros and higher bit-depth recording.
Computer Music magazine is the world’s best selling publication dedicated solely to making great music with your Mac or PC computer. Each issue it brings its lucky readers the best in cutting-edge tutorials, need-to-know, expert software reviews and even all the tools you actually need to make great music today, courtesy of our legendary CM Plugin Suite.
“It’s especially special to be playing at The Whisky... where almost all of my guitar heroes have played”: Sophie Lloyd announces debut US headlining show at LA’s Whisky A Go Go and shares blazing shred cover of Alice Cooper’s Poison
“Takes the TS formula and makes it more useful for every player, regardless of style”: Mythos Pedals unveils the Envy Pro Overdrive NV-9, adding switchable low-end and spicy clipping options to a classic recipe
"I went into them thinking that I didn't hope to get the gig because I really thought that I wasn't right for them”: Why Eric Avery didn’t think he was a good fit for Metallica or Smashing Pumpkins