VST/AU plug-in instrument/effect round-up: Week 47

Six of the best
It’s been a little while since our last round-up, but we return with a fine and varied selection of instruments and effects.
Also make sure you check out these regularly updated features:
The 20 best VST plug-in synths in the world today
The 14 best VST plug-in drum machines in the world today
If you've got a new PC or Mac plug-in, make sure you let us know about it by emailing musicradar.pressreleases@futurenet.com with all the details.
NEXT: ToneBytes Ambient Nature Noise

ToneBytes Ambient Nature Noise
If your tracks are lacking a bit of atmosphere, this plug-in could fill the gap. It offers 21 ‘sound profiles’ that cover not only living things such as birds, insects, bats, trees and flora and fauna, but also other nature noises including the sound ofa waterfall, rain and a fire crackling.

Inear Display Bucephal
The curious thing about this “nasty dual delay” is that it’s not intended to be employed as a delay. Instead, thanks to the inclusion of an envelope follower and LFO, you can use it for glitching purposes, morphing between vibrato, flanging, pitchshifting, and crushing effects. Use the randomizer and waveshaper to add even more dirt.

Manx XS-2
Released as a replacement for the now discontinued XS-1, XS-2 is a 2-oscillator synth that also sports three 6-stage envelope generators and a filter section. The synth is designed to emulate DCO technology from the ‘80s, the theory being that you’ll get a distinctive sound that’s bright and punchy.

Overloud Mark Studio 2
This Markbass-branded bass amp/effects suite has been updated so that it now brings you six heads, nine cabinets and a much-enhanced pedalboard. Other enhancements include MIDI and plug-in automation support and an increased number of presets.
Buy or download demo of Overloud Mark Studio 2
Liked this? Now read: Free music software: the best audio app and plug-in downloads on the net

I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it.

