POPOF: the 10 tracks that blew my mind
The French DJ/producer on the songs rocked his world

Top of the POPOF
Hailing from Paris, POPOF is a DJ/producer who emerged from the rave scene and has since taken his house/techno sound around the world.
He established his Form label in 2009 and released President, his most recent EP, on the imprint late in 2016. Prior to that he gave us Love Somebody, a full-length LP, in 2015, and he’s also created remixes for the likes of Moby and Depeche Mode.
POPOF draws on a wide range of influences, something that became apparent when we asked him to choose the tracks that blew his mind. Read on to find out what made his top 10, and why...

1. The Prodigy - Spitfire
“I’ve always been a big Prodigy fan and, for me, their album Always Outnumbered, Never Outgunned is their best. It’s got plenty of guests, from Juliette Lewis to Kook Keith, to Princess Superstar amongst others. Every single track is amazing so it was really hard to choose, but I had to pick only one, so…”

3. N.W.A - Fuck Tha Police
“When I was a teenager, I used to listen a lot to American hip-hop. I was in the middle of the golden era, with all these cult groups emerging one after another - Public Enemy, N.W.A., Run-D.M.C. They were politically involved, they spread real messages and they were taking over the world with their amazing beats and samples, and their violent - but nonetheless catchy - lyrics.”

7. Etta James - At Last
“Etta James touches me so deeply with her beautiful songs, such as At Last and Sunday Kind of Love. She’s one of a few select singers - like Billie Holiday and Ella Fitzgerald - who’ve written the history of female vocal jazz and traced the path for the others. She’s a master.”

9. Eddie Harris - Bad Luck Is All I Have
“This song is on what I consider Eddie Harris’s best album ever! It’s a quintessential blues song; the bass blends in with her rasping, deep voice, and all the while she’s telling her sad story, singing about her bad luck. Her story ends in heaven (or hell!) and it’s a true pleasure for the ears.”

I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it.





