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  1. Tech
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iPhone/iPad iOS music making app round-up: Week 32

News
By Ben Rogerson published 19 May 2011

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Something for everyone

Something for everyone

This week’s round-up illustrates the versatility of iOS devices for music makers. There’s one app that enables you to produce complete tracks, another that simply lets you mess around with one loop, and a final one that turns your iPad into a custom controller.

Also make sure you check out these regularly updated features:

The best iPhone music making apps

The best iPad music making apps

If you've got a new iOS app, make sure you let us know about it by emailing musicradar.pressreleases@futurenet.com with all the details.

NEXT: Blip Interactive NanoStudio 1.2

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Blip Interactive NanoStudio 1.2

Blip Interactive NanoStudio 1.2

This is a significant update to one of your favourite iOS music making apps; it enables you to upgrade from six to 16 instrument tracks via an in-app purchase, for example. Improvements have also been made to the mixer, sequencer, effects provision and more.

Buy now from the App Store

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Utku Uzmen Manipulant, £2.39

Utku Uzmen Manipulant, £2.39

This is by no means the first customisable MIDI control surface to be released for the iPad, but this isn’t to say that you shouldn’t give it a try. You can add buttons, knobs and faders, and you can trigger multiple overlapping controls with a single touch.

Buy now from the App Store

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Page 3 of 4
Alkex Instruments Amen Break £0.59

Alkex Instruments Amen Break £0.59

This is very much a one-trick app, but we like the look of the trick. Essentially, it enables you to mess around with the all-conquering Amen break in real-time - you can trigger slices with your finger, change the pitch by tilting your device and combine the buzz and pitch features for drills.

Buy now from the App Store

Liked this? Now read: The best iPhone music making apps and The best iPad music making apps

Connect with MusicRadar: via Twitter, Facebook and YouTube

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Ben Rogerson
Ben Rogerson
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Deputy Editor

I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it. 

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