Pianist Jesus Molina had never heard Prince’s 1999, so could he play along to it when given just the vocals and drums?
“This is actually what I try to do when I practise every single day,” he says
Believe it or not, there are still people out there who’ve never heard Prince’s 1999, and it turns out that pianist Jesus Molina is one of them.
This became apparent when Pianote played the Colombian Berklee graduate the song with just the drums and vocals and asked Molina to fill in the blanks. And fill them in he most certainly did.
“The drums are really old,” he says on hearing that famous Linn LM-1 pattern, which makes us feel pretty ancient, too. Molina, though, is only 27, and to him, 1999, sounds like a relic from another time.
No matter, because after just one listen through, he’s ready to perform his own arrangement, and it’s fair to say that it’s busier than the original. Molina fills the musical space with jazzy, gospel-tinged licks while respecting the song’s original groove.
“This is actually what I try to do when I practise every single day,” says Molina of the reharmonisation challenge that Pianote set him. “I just put myself on the spot all the time. That’s the most important thing - new experiences, new melodies… that’s when creativity develops really fast.”
Get the MusicRadar Newsletter
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.
I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it.
“I haven’t been able to see the performance, but I have enjoyed it”: Elton John tells audience at Devil Wears Prada premiere that he’s lost his sight
“I did a demo. I had Sheila E playing on it and Michael sang on it. I played it for Quincy and he said, ‘No.’”: Greg Phillinganes on the Michael Jackson song arrangement that Quincy Jones rejected because it wasn't "sexy" enough