Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
UK EditionUK US EditionUS AU EditionAustralia SG EditionSingapore
Sign in
  • View Profile
  • Sign out
  • Artist news
  • Music Gear Reviews
  • Synths
  • Guitars
  • Controllers
  • Drums
  • Keyboards & Pianos
  • Guitar Amps
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About us
Don't miss these
The Power Station
Artists “The most expensive bit of drumming in history”: When stars of Duran Duran and Chic formed a decadent ’80s supergroup
Josh Freese
Artists “People said, ‘Hey, I saw you’re on that Avril Lavigne record.’ I went, ‘Nah!'”: The drummer who’s played on 400 albums
Steve morse and Jon Lord play onstage together during a 1996 Deep Purple show in Amsterdam.
Artists Steve Morse on why he loved writing with Jon Lord and the Deep Purple track that started with a cup of tea
Justin Hawkins
Artists “He wanted it to sound tinny, so he literally put the mic in a tin”: When The Darkness teamed up with Queen’s producer
Nuno Bettencourt riffs on his signature S-style with his Marshall JCM900s in the background. Right, Jake E Lee holds his signature Charvel backstage at Back to the Beginning, where he performed to honour his old boss Ozzy Osbourne.
Artists Nuno Bettencourt on why he handed Shot Of The Dark over to Jake E Lee at Ozzy's farewell show
Eric Clapton and Sheryl Crow perform at Eric Clapton's Crossroads Guitar Festival 2007 held at Toyota Park on July 28, 2007 in Bridgeview, Illinois.
Artists "They put it on hold so nobody else can record it. But he didn’t actually record it. That was when Don Henley said, ‘You need to quit giving your songs away’”: Sheryl Crow says that she once wrote a song for Eric Clapton that never saw the light of day
A PRS McCarty 594 on a hard case
Electric Guitars Best electric guitars 2025: Our pick of guitars to suit all budgets
Sennheiser in ear monitors on a lit up dj controller
Studio Monitors Best budget in-ear monitors 2025: My pick of cheap in-ears for every type of musician
Mark Ronson and Michael Jackson
Artists How a teenage Mark Ronson convinced Michael Jackson to write him a bassline so he could make a hit song out of it
Oasis Live '25
Artists How Oasis brought Noel and Liam’s touring crews together for their triumphant Live ‘25 reunion
Prince and Mick Jagger
Artists Did Prince’s "humiliating" Rolling Stones experience inspire his later success?
Yungblud attends the 2025 MTV Video Music Awards
Singers & Songwriters "These people didn't f***ing know how involved Dom was in Ozzy's life”: Jack Osbourne backs Yungblud over Darkness criticism
Alex Skolnick of Testament shows off his signature ESP singlecut as he performs at Belgium's Alcatraz Festival in 2024. On the right, Kiko Loureiro and Dave Mustaine of Megadeth photographed in the corridors backstage at Wembley Arena in 2015.
Artists Alex Skolnick on the time he was on standby for Megadeth – and what to do when you can’t match a player lick for lick
Iron Maiden in 1999
Artists “When Bruce came back I wasn’t 100% sure of his reasons”: How Iron Maiden’s Steve Harris made peace with Bruce Dickinson
Paul Rodgers performing with Bad Company in 1974
Artists “This business can really get tough sometimes, and you have to dig deep inside you”: The rise of rock icons Bad Company
More
  • "The most expensive bit of drumming in history”
  • JoBo x Fuchs
  • Radiohead Daydreaming
  • Vanilla Fudge
  • 95k+ free music samples
  1. Artists
  2. Gigs & Festivals

Brian Ray: my best and worst gigs ever

News
By Joe Bosso published 10 July 2014

"Fortunately, most of the shows have been great. But you know, I'm human."

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Brian Ray: my best and worst gigs ever

Brian Ray: my best and worst gigs ever

Continuing our series My Best And Worst Gigs Ever, Brian Ray, guitarist and bassist Brian Ray (who also leads his own group, The Bayonets), talks about one show that stands out in his mind as being particularly memorable – and one that he'd like to forget.

“I’m really fortunate to have played an incredible number of shows that could qualify as ‘best gig ever.’ It would almost be easier to do it by act. But if I had to pick one, a show that really stand out would be one of the two nights I did with Paul McCartney at the Hollywood Bowl in 2010.

“For one thing, it was a hometown gig for me. I was born and raised in Los Angeles, California, so growing up, I saw the Hollywood Bowl as being one of the coolest and most iconic venues around. To play the Bowl with Paul McCartney, who has, of course, done some very important shows there himself with The Beatles, well, that right there stands out as being monumental. If you wanna play anywhere in Los Angeles – and with Paul McCartney, no less – it’s at the Hollywood Bowl. And the Bowl is also significant to me because I got to see Jimi Hendrix opening for the Mams & The Paps there when I was 12. Crazy.

“That said, the first night of our two-night stand wasn’t the greatest. It was in April, and the weather should have been perfect, but we had a cold snap and it was absolutely freezing on stage. My hands literally felt like icicles. During a break before the first encore, we were backstage going, ‘Oh, my God! I can’t feel my toes. I can’t feel my hands.’ It was terrible. I think we still played well, but you know how it is – the mood just wasn’t amazing.

“The second night was still cold on stage, but there was something very different in the air. For whatever reason, whatever it is that makes for a great show – all of those X factors coming together at once – we had it all going on from the minute we went on till the time we left. Paul’s energy, his mood, the sound on stage, our playing level, the crowd – it was all perfect. Paul put on a master class performance that night, and I would say that we rose to the occasion, as well.

“Maybe it was because of the night before; we wanted to prove to ourselves that the elements weren’t going to get us down. With one not-so-great show under our belts, we got out of there alive but were intent on proving ourselves the next night. And we did. From top to tails, it was a magnificent show. Not one second of it wasn’t spot-on.

“I could tell that it was going to be great even at soundcheck. We do long soundchecks, sometimes an hour, an hour and a half – we don’t skimp. Paul will play a guitar lick, and we’ll launch into a jam and go for it. Sometimes we’ll play songs that aren’t even in the set, just for Paul to feel things out and get into a vibe.

"So on this day, Paul arrived and was in a super-great mood, really fun, funny and laddish. He had a real swagger and was confident, and that just spills over to everybody else. We just all knew, ‘OK, we’re gonna knock ‘em out tonight. This one is going to be different.’

“And it was. From our very first number, which was Venus And Mars/Rock Show, we just nailed it. It was especially nice for me because I had so many family members and friends in the audience. All of the Ray women in my family were out there. Luckily, only a few people from my contingent were at the first night; my real crew came on the second night. So thank God they saw that gig, because they saw a good one.

“It’s sort of unquantifiable what goes into a great show and how you can have one of those nights when everything is just so right. What's important to remember is, our thing on stage, our act, is very much a live show. It’s only five guys up there. We don’t have tapes, we don’t play to clicks – it’s just us. So our music is all made by hand in real time; everything is played by humans. When it all goes right, it’s almost as if somebody choreographed a ballet: The lights, the moves, the songs, the playing, the boss, the crowd – everything comes together and clicks.”

Page 1 of 2
Page 1 of 2
Brian Ray: my best and worst gigs ever

Brian Ray: my best and worst gigs ever

“As with the best shows, you have to shift through the file of worst or leave-favorite gigs. The one that pops into my mind took place in 1983. I was working with an artist named Nicolette Larson. People may remember her as a classic rock fave – she had a big hit called Lotta Love, among a few others.

“I was playing with her at some place in the Bay Area. It was a daytime show, and we were opening for the Jefferson Starship, a rather big gig for me at the time. The night before, I had gone out and ate sushi. Lo and behold, I got sick on the sushi – a bad case of food poisoning. And when I say 'sick,' I mean really sick – the kind of sick you just can’t imagine.

“This went on for something like 30 hours. I was sick the night before the show and the whole next day. Suffice to say, there was very little left of me by the time we had to play. I even said to the band, ‘I can’t do it… I can’t play. I can’t even stand up.’ They were like, ‘Well, what if we got you a barstool or something? Can you just sit there and play? We can’t do the show without you, and it’s too late to cancel.’

“They got a barstool for me, and I was able to pull it together – adrenaline kind of kicked in. Still, I don’t know how I made it – every song was a struggle. You’re going into each number thinking, ‘Can this be the last one, please?’ An hour-and-15-minute show seemed to take days. I was just physically shot. I was running a temperature and was sick in every other way. I was a shadow of a man.

“Nicolette’s band was great, though, and they all kind of rallied around me and helped get me through it. I remember the words of Etta James, whom I’d worked with for many years; she said in an interview once: ‘I don’t know what it is. I’m a survivor. It’s like, I call up the warriors within. If I’m having a tough day or a tough night, if things aren’t going my way or life is against me, if I’ve got a show to do and I’m sick, I call up the warriors within.’ Those words helped.”

Brian Ray's band The Bayonets has a new song called Crash Boom Bang! Click here for more information. You can check out the video at this link.

Page 2 of 2
Page 2 of 2
Joe Bosso
Joe Bosso

Joe is a freelance journalist who has, over the past few decades, interviewed hundreds of guitarists for Guitar World, Guitar Player, MusicRadar and Classic Rock. He is also a former editor of Guitar World, contributing writer for Guitar Aficionado and VP of A&R for Island Records. He’s an enthusiastic guitarist, but he’s nowhere near the likes of the people he interviews. Surprisingly, his skills are more suited to the drums. If you need a drummer for your Beatles tribute band, look him up.

Read more
Brian May
“I missed a couple of things": Brian May critiques his Last Night of the Proms performance
 
 
NEW YORK - JULY 11: Mark Ronson performs at the High Line Ballroom on July 11, 2007 in New York City. (Photo by Donna Ward/Getty Images)
Mark Ronson on having to come to terms with the fact that he would never be a great guitar player
 
 
Justin Hawkins
“He wanted it to sound tinny, so he literally put the mic in a tin”: When The Darkness teamed up with Queen’s producer
 
 
NEW YORK: Todd Rundgren posed at a studio mixing desk in New York in 1974 (Photo by Gijsbert Hanekroot/Redferns)
“Sometimes it’s best not to meet your idols”: Todd Rundgren’s Top 5 favourite album productions
 
 
Josh Freese
“People said, ‘Hey, I saw you’re on that Avril Lavigne record.’ I went, ‘Nah!'”: The drummer who’s played on 400 albums
 
 
Pete Townshend tosses his electric guitar in mid-air as he performs onstage at Atwood Stadium on August 23, 1967 in Flint Michigan. This is the same night that Keith had his 21st (actually his 20th) birthday party and was arrested and banned for life from the Holiday Inn chain of hotels
“I was just making sure I left my mark”: Pete Townshend smashed a guitar at every show of The Who’s first US tour
 
 
Latest in Gigs & Festivals
Jon Batiste and Prince
Jon Batiste describes his “gloriously awkward exchange" with Prince at a jam session
 
 
Thom Yorke performs at Sydney Opera House on November 01, 2024 in Sydney, Australia
“We are devastated to have to postpone these two shows at such short notice”: Radiohead put back two Copenhagen dates
 
 
David Ellefson, back to camera, playing guitar
“Truly one of the most fun things I've ever done”: David Ellefson joins 1,000 musicians to tribute to Ozzy Osbourne
 
 
Olivia Dean attends the 2025 ARIA Awards at Hordern Pavilion at Hordern Pavilion on November 19, 2025
“We have a duty to encourage a fair resale market”: Olivia Dean calls on other artists to ensure fans don’t get ripped off
 
 
Ronnie Wood on stage in 2021
“Always such an honour to be part of the show”: Ronnie Wood, Olivia Dean and The Kooks all confirmed for Jools's Hootenanny
 
 
Eminem and Jack White perform during halftime of a Thanksgiving NFL football game between the Detroit Lions and the Green Bay Packers at Ford Field on November 27, 2025 in Detroit, Michigan
Jack White and Eminem light up the Detroit Lions Thanksgiving Day classic with unforgettable half time show
 
 
Latest in News
tape double track
This $99 plugin recreates a classic studio technique invented at Abbey Road for The Beatles – and it's free for the next three days
 
 
Eric Clapton and Sheryl Crow perform at Eric Clapton's Crossroads Guitar Festival 2007 held at Toyota Park on July 28, 2007 in Bridgeview, Illinois.
"They put it on hold so nobody else can record it. But he didn’t actually record it. That was when Don Henley said, ‘You need to quit giving your songs away’”: Sheryl Crow says that she once wrote a song for Eric Clapton that never saw the light of day
 
 
oxi
"We didn't want to make just another controller": OXI Instruments' E16 is a sleek and portable MIDI controller that's more powerful than it looks
 
 
Serato and AlphaTheta launch Slab for Serato Studio
AlphaTheta and Serato launch Slab, the first hardware controller for Serato Studio
 
 
Steve Cropper in 2007
“My mom said, ‘I’ll lend you a quarter if you become a guitar player.’ I think I did!”: Steve Cropper dies aged 84
 
 
EVH Gear Hypersonic 5150III 6L6: The new all-digital modelling combo offers the same stylings and super-hot tone as its all-tube predecessor but is 16kg lighter
EVH Gear turns “holy grail” Eddie Van Halen amp Hypersonic with super-lightweight 5150III 6L6 digital modelling combo
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

Add as a preferred source on Google
  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...