Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
Sign in
  • View Profile
  • Sign out
  • Artist news
  • Guitars
  • Guitar Pedals
  • Synths
  • Keyboards & Pianos
  • Controllers
  • Guitar Amps
  • Drums
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About Us
More
  • Lemmy vs Dylan
  • Are 'Friends' Electric?
  • Flava D - DnB is hard
  • Prince's drummers
  • 95k+ free music samples
Don't miss these
ARMNHMR
Djs ARMNHMR on their tools of the trade
loukeman
Artists Loukeman reveals his favourite plugins and unusual production techniques
rudimental
Tech "It's one of my favourite synths": Rudimental reveal their favourite plugins for drum 'n' bass production
Silva Bumpa
Tech Breakout producer Silva Bumpa on the secret to creating sub bass and UKG rhythms
Nadia Struiwigh
Artists Tresor resident Nadia Struiwigh on why she avoids tutorials and keeps things 'loose' in the studio
Flava D in the studio
Artists Flava D on why drum & bass is the toughest genre to produce
rival
Artists “You end up doing different things with a plugin versus a hardware synth”: Rival Consoles on why he still uses a Prophet emulation – even though he owns the real thing
imad royal
Producers & Engineers “I’m a big preset guy. If a preset’s called Fat Bass, there’s a 90% chance it’s actually a fat bass”: Rico Nasty and Benson Boone producer Imad Royal on saving time and staying focused in the studio
verses gt
Artists “I’ve never fully gelled with Logic and Pro Tools – they kind of feel like Microsoft Excel to me”: Jacques Greene and Nosaj Thing on the making of their new collaborative project, Verses GT
adam beyer
Artists "It feels like there’s a blueprint for electronic music - it's boring”: Adam Beyer on the evolution of modern dance music
Pluginweek logo
Plugins Plugin Week 2025: Exhibitor A-Z
Lawrence Hart
Artists Lawrence Hart on the mixed blessings of classical training and being ‘scrappy’ in the studio
Barry Can't Swim
Artists Barry Can’t Swim has no time for people who have an issue with artists using synth presets
Plugins Future owns
Plugins Our resident platinum award-winning mixer and producer shares 10 of his go-to plugins
Peel
Producers & Engineers "On every laptop you have access to every sound you could ever want. That can make creativity hard": Peel
  1. Tech
  2. Software & Apps

Dabin's favourite music software

News
By Computer Music ( Computer Music ) published 15 June 2017

The Canadian/Korean producer trained to be a lawyer, but now he’s hooked on Ableton and Serum

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Ableton Live

Ableton Live

“I grew up with traditional instruments, so the switch to making music on a computer was difficult. I demoed every platform and started out with Logic, but it didn’t take me long to switch to Ableton.

“With a guitar, you can jot down song ideas very quickly, and that’s what I like about Ableton. It’s so easy to build up basic ideas - you can get them into the computer before you lose inspiration.”

FULL REVIEW: Ableton Live 9

Page 1 of 5
Page 1 of 5
Xfer Records Serum

Xfer Records Serum

“Yeah, I know that almost every producer uses Serum these days, but there’s a pretty good reason for that: it’s an amazing synth. It’s the same with a Les Paul: lots of people use it cos it’s a great guitar.

“You’ve also got a variety of wavetable views, which has helped me understand what the warp modes are doing. And it allows you to import your own wavetables, too - a huge plus!”

FULL REVIEW: Xfer Records Serum

Page 2 of 5
Page 2 of 5
FabFilter Saturn

FabFilter Saturn

“I went through a Waves period for a while, but the first time I heard the FabFilter stuff, I was so impressed. This really is my go-to plugin for distortion and saturation. The variety of tube, tape and guitar emulations… awesome. It really seems to fit my production style.”

FULL REVIEW: FabFilter Saturn

Page 3 of 5
Page 3 of 5
u-he Diva

u-he Diva

“When it comes to chords and pads, this is always my first choice. There’s a velvety warmth and real body to the sounds - that solid foundation you need from a pad.

“It’s super user-friendly, too. If you’re used to messing around with soft synths, this all seems very familiar, which I think is hugely important. You need to feel comfortable with a plugin, otherwise you won’t get the best from it.”

FULL REVIEW: u-he Diva

Page 4 of 5
Page 4 of 5
Oeksound Soothe

Oeksound Soothe

“Not a lot of my producer friends have latched on to this yet, but it’s one of the most dynamic, transparent EQ tools I’ve ever used.

“Usually you have to sit there manually trying to pick out all your resonant highs and mids, but this analyses the whole signal and sorts out any problem frequencies without colouring the sound in any way. I use it on everything from vocals to drums… even the master chain.”

FULL REVIEW: Oeksound Soothe

 Dabin’s new album Two Hearts is out now on Kannibalen Records.

Page 5 of 5
Page 5 of 5
Computer Music
Computer Music
Social Links Navigation

Computer Music magazine is the world’s best selling publication dedicated solely to making great music with your Mac or PC computer. Each issue it brings its lucky readers the best in cutting-edge tutorials, need-to-know, expert software reviews and even all the tools you actually need to make great music today, courtesy of our legendary CM Plugin Suite.

Get over 70 FREE plugin instruments and effects… image
Get over 70 FREE plugin instruments and effects…
…with the latest issue of Computer Music magazine
More Info
Read more
ARMNHMR
ARMNHMR on their tools of the trade
 
 
loukeman
Loukeman reveals his favourite plugins and unusual production techniques
 
 
rudimental
"It's one of my favourite synths": Rudimental reveal their favourite plugins for drum 'n' bass production
 
 
Silva Bumpa
Breakout producer Silva Bumpa on the secret to creating sub bass and UKG rhythms
 
 
Nadia Struiwigh
Tresor resident Nadia Struiwigh on why she avoids tutorials and keeps things 'loose' in the studio
 
 
Flava D in the studio
Flava D on why drum & bass is the toughest genre to produce
 
 
Latest in Software & Apps
Prince at a press conference where he officially changed his name from the Artist back to Prince. 5/16/00 Photo by Scott Gries/ImageDirect
Back in 1999, Prince offered his opinion on the new generation of DAW-based musicians and producers
 
 
Mk.pre
Audio Hertz's Mk.pre emulates the Tascam Portastudio preamp that colours Mk.gee's sought-after guitar tone
 
 
verses gt
“I’ve never fully gelled with Logic and Pro Tools – they kind of feel like Microsoft Excel to me”: Jacques Greene and Nosaj Thing on the making of their new collaborative project, Verses GT
 
 
minimal audio plugin
Minimal Audio drops Formant, a free formant-shifting plugin for creative vocal production
 
 
iZotope Ozone 12
iZotope Ozone 12 adds new machine learning modules and a more musician-friendly AI assistant
 
 
Ableton Move
You can now access the full version of Ableton’s Drift synth in Note and Move
 
 
Latest in News
Teenage Engineering EP-1320 Medieval
Teenage Engineering is giving away a free EP-1320 Medieval sampler to anyone that spends $999 in its online store
 
 
Fred Again in Naples
Fred Again and again: Producer plays an extra set on a fan's rooftop after a Naples festival appearance
 
 
Joe Bonamassa wears a blue suit and plays his P-90 loaded Epiphone signature Les Paul [left] and BB King cups his hand to his ear to ask for some more from his audience at a 1991 show in Chicago.
Joe Bonamassa announces all-star album celebrating life of BB King on the King of the Blues’ 100th birthday
 
 
Loog Guitars x Gibson: these child-friendly 3-strings reimagine the Les Paul and SG for young beginners.
Gibson teams up with Loog for child-friendly 3-string versions of its most famous electric guitars
 
 
Fender Vintera II Road Worn 60s Telecaster
Fender’s Vintera II Road Worn series has Golden Era vibe, tone and feel with era-correct pickups and aged nitro finishes
 
 
Nile Rodgers
“As soon as we played that, I screamed”: Nile Rodgers breaks down how he and David Bowie made Let’s Dance
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...