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8 things you can do with Ableton Live's updated Auto Filter device
By Martin Delaney published
Given a major overhaul in Live 12.2, Auto Filter features a variety of creative filter types, new modulation options and real-time visualization

GForce Software makes FM synthesis simple with Halogen FM
By Matt Mullen published
The company's latest software instrument promises "the joy of FM, without the headaches"

“We’ll push the boat out here and say that this could be its finest synth plugin to date”: Cherry Audio ODC 2800 review
By Roland Schmidt published

Expressive E launches its all new super-realistic virtual strings collection
By Andy Price published
These MPE-based string instruments aim to make nuanced and humanistic performances a reality

"Splice is now built directly into Pro Tools": Avid launches Pro Tools 2025.6 with Splice integration, AI speech-to-text engine and more
By Matt Mullen published
Avid teams up with leading sample platform in what the company calls a "game-changing integration bringing millions of sounds into the heart of Pro Tools"

The ultimate compression cheat sheet – go-to settings to help you make better music
By Si Truss published
Confused about where to start with compressors and dynamics effects? We'll guide you through the essential features and settings

“One of the most iconic synthesizers of all time, in a highly usable and great sounding piece of software”: GForce Software Oberheim TVS Pro review
By Roland Schmidt published
Introducing a software rebirth, based on a hardware reissue. GForce presents two seminal voices in a single legendary Oberheim

Sack The DJ: Apple launches its new feature that can mix tracks using AI
By Will Simpson published
AutoMix can timestretch and beat match
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