Guitar skills: Hammer-on’ is a weird term, isn’t it? No hammers are used, of course, but what does it actually mean for your playing?
A hammer-on is an expressive playing technique used by absolutely everyone who ever picked up a guitar. From Jack White to Julian Bream, Nick Drake to Nile Rodgers, there’s probably not one single player who doesn’t use this technique. Every beginner guitarist should give hammer-ons a go.
Start by holding down one note on the guitar fretboard using your first finger. The idea is to pick the string then play a second note by quickly pressing down at a higher fret on the same string using another finger - but no picking the string this time.
If you find the second note then sounds dead, don't worry. That often happens on the first go. Make sure that your first note is still ringing out and that you ‘hammer’ down firmly and quickly on the second note.
Start with your first and third fingers - these tend to be strongest. Take a look at our tabbed lick and you’ll see that the first two notes are two frets apart - perfect for a first and third finger hammer-on.
Most new techniques feel difficult at first. Trust us - you’ll get the hang of it as your fingers get stronger and more used to the movements. Most guitarists eventually find hammer-ons really easy.
They can even make fast passages of picked notes easier to play, but most important of all is their sound; hammer-ons have a slick, fluid sound. If you’re playing a guitar solo you’ll get a smoother vibe than you would if you picked every note.
Using hammer-ons with chords
Take a look at the Am chord on the right. Instead of playing every note, leave the second string open, strum the strings, then hammer on to the second string. It’s a great way to pep up a basic chord progression.
Usually in an Am chord you’d have a finger on the 1st fret. Instead, try starting without pressing down on the 1st fret, strum the chord, then hammer on with your first finger.
Easy lead guitar line
In bar 1, start by playing a 3rd fret note on the first string followed by a 5th fret note. The curved line joining the notes indicates that you should use a hammer-on. If there was no curved line you’d have to pick both notes. We’ve played our lick first without hammer-ons, then with, so you can hear the difference.