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EM 421 January 2020 examples and files

(Image credit: Future)

Hear our audio examples to accompany the latest issue of Electronic Musician.

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The Art Of Synth Soloing

Pitch Manipulation

Ex. 1 – Using Rob Papen’s Predator you hear the main synth sound, followed by fading in the sub-oscillator, followed by adding in some Phase Modulation to add extra hi-frequency grit.

Ex. 2 – Using UVI Falcon you hear an FM-based hard lead sound, followed by adding in a second Program, which is a warmer analog element tuned an octave lower.

Ex. 3 – Using the same Falcon setup as example 2, you hear the basic sound, the layered sound tuned an octave below, then the layered sound tuned an octave and a fourth below, and finally, the layered sound tuned an octave and a fifth below.

Ex. 4 – Again using Falcon, you hear a detuned lead sound, and then I add additional oscillators tuned (in order): down a fourth; down an octave, up two octaves.

Ex. 5 – Some call and response playing using that same Falcon Program: I am using a single controller to turn on and off the three additional oscillators.

Ex. 6 – In this last example I play a phrase, then I add the envelope-created pitch blip. I keep alternating phrases without and with the “pitchy” attack element.

Easy Guide: Combined Scales

Electronic Musician
Electronic Musician

Electronic Musician magazine is the ultimate resource for musicians who want to make better music, in the studio or onstage. In each and every issue it surveys all aspects of music production - performance, recording, and technology, from studio to stage and offers product news and reviews on the latest equipment and services. Plus, get in-depth tips & techniques, gear reviews, and insights from today’s top artists!