Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
UK EditionUK US EditionUS AU EditionAustralia SG EditionSingapore
Sign in
  • View Profile
  • Sign out
  • Artist news
  • Music Gear Reviews
  • Synths
  • Guitars
  • Controllers
  • Drums
  • Keyboards & Pianos
  • Guitar Amps
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About us
Don't miss these
More
  • "The most expensive bit of drumming in history”
  • JoBo x Fuchs
  • Radiohead Daydreaming
  • Vanilla Fudge
  • 95k+ free music samples
  1. Tutorials
  2. Music Production Tutorials

How to make a Foamo-style fidget house bassline

News
By Computer Music ( Computer Music ) published 18 May 2010

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Getting started

Getting started

Step 1: Creating a typical Foamo-style bassline is possible in most virtual analogue synths. We’re going to use Lennar Digital’s Sylenth1, the demo of which can be downloaded from Lennar Digital’s website. Start by selecting one of the Init patches from the default bank. This gives us the basic grounding to build up from. ...

Page 1 of 6
Page 1 of 6
Square wave

Square wave

Step 2: We want a chunkier sound than the default saw wave loaded here, so click Oscillator A1’s Wave display until you get a square shape, as shown. This gives us a far beefier low-end, more suitable for making heavy fidget house bass sounds. Also, turn the number of Voices up to 2.

Page 2 of 6
Page 2 of 6
Detuning

Detuning

Step 3: Next, turn the Detune knob up to 1.00. This retunes the oscillators slightly, giving us a more organic, analogue sound. However, this also has the side effect of panning the oscillators. We don’t need a wide sound, so turn the Stereo knob all the way down to 0.

Page 3 of 6
Page 3 of 6
Filtering

Filtering

Step 4: We can add a bit of movement to this basic patch by activating the filter. Set the Filter Type to low-pass and turn Keytrack up to 5.00. This makes the synth follow the pitch of the note being played. Turn the Drive up to 3.90 for some extra grunt, and route LFO 1 to Cutoff A.

Page 4 of 6
Page 4 of 6
More movement

More movement

Step 5: Set LFO 1’s Rate to 1/16 and Gain to max. Turn the modulation level (the knob to the left of the Cutoff A display) up to 2.00. This gives us some subtle movement, without wobbling too much. Activate Mono Legato mode (to the right of the keyboard) and turn Portamento up to 5.00.

Page 5 of 6
Page 5 of 6
Finishing off

Finishing off

Step 6: Set Amp Env A’s release time (R) to 3.00. Now, play notes in different octaves in quick succession to get that typical, bendy fidget house sound. To finish off, insert a compressor and route the kick drum to the sidechain input. This will attenuate the synth whenever the kick plays, creating a pumping effect.

Page 6 of 6
Page 6 of 6
Computer Music
Computer Music
Social Links Navigation

Computer Music magazine is the world’s best selling publication dedicated solely to making great music with your Mac or PC computer. Each issue it brings its lucky readers the best in cutting-edge tutorials, need-to-know, expert software reviews and even all the tools you actually need to make great music today, courtesy of our legendary CM Plugin Suite.

Get over 70 FREE plugin instruments and effects… image
Get over 70 FREE plugin instruments and effects…
…with the latest issue of Computer Music magazine
More Info
Latest in Music Production Tutorials
Gary Numan Cars Video
How to emulate the sound of Gary Numan’s synth-pop classic Cars
 
 
Quantize
How unquantizing your tracks can make them stand out from the AI-dominated crowd
 
 
Ableton Live MIDI tools tutorial
Stuck for ideas? Here's how to create fresh basslines and melodies with Ableton Live 12’s MIDI tools
 
 
Semtek aka DJ Persuasion
7 great house and techno tips from Don’t Be Afraid label boss Semtek (aka DJ Persuasion)
 
 
Bass
37 heavyweight bass production tips
 
 
Compressor settings
Produce better music with our ultimate compression cheat sheet
 
 
Latest in News
Keeley Electronics Nocturne: this new stereo reverb is the latest signature pedal for Andy Timmons and has a dark metallic blue enclosure with a similar control surface to his Halo Core pedal.
“I turn this thing on, I don’t want to stop playing”: Keeley Electronics has made Andy Timmons fall in love with reverb with his new signature Nocturne pedal
 
 
Money
“They represent rent paid, instruments bought and careers sustained”: PRS has distributed nearly £275 million in 2025
 
 
Paul McCartney points to the crowd and raises an eyebrow as he performs with his iconic Höfner Violin Bass
Paul McCartney's favourite bass company is in trouble – Höfner's future uncertain as it files provisional insolvency proceedings
 
 
Jane's Addiction
“We have come together one last time to resolve our differences”: Peace breaks out between Perry Farrell and Jane's Addiction
 
 
behringer
Behringer says its $55 Oberheim-inspired UB-1 Micro is the "world's smallest full-featured analogue synth"
 
 
Digital generated image of abstract multicoloured wave pattern.
“So many ways a fan can support an artist they love”: Billboard attempt a chart repair job
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

Add as a preferred source on Google
  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...