Jason Sidwell
Latest articles by Jason Sidwell

By Jason Sidwell Last updated
We put a pair of excellent new stompboxes to the test

By Jason Sidwell Last updated
We try the latest distortion box from Japanese pedal company Feel The Tone

By Jason Sidwell Last updated
Is an understanding of musical notation necessary for guitarists?

By Jason Sidwell Last updated
A forced break from guitar playing reminds GT's Jason Sidwell of the value of composing

By Jason Sidwell Last updated
More Soapbox from Jason Sidwell

By Jason Sidwell Last updated
Exquisite picks made from wood, bone, leather and shells

By Jason Sidwell Last updated
Is this the ultimate delay pedal?

By Jason Sidwell Last updated
...Or knowing how to 'make musical sense'

By Jason Sidwell Last updated
Stampede DT SDT-2, Heat Blaster HBL-3, Flame Drive FDR-1F and Silky Drive SLD-1F put to the test

By Jason Sidwell Last updated
Know your goals

By Jason Sidwell Last updated
The 'handcuff' method of improvisation practice

By Jason Sidwell Last updated
The importance of listening to yourself

By Jason Sidwell Last updated
Even the greats can't please everybody all the time...

By Jason Sidwell Last updated
Knowing when to hold back
By Jason Sidwell Last updated
How thought out, regular practice slots can make all the difference

By Jason Sidwell Last updated
Following the release of The Sonic Drive SDR-5 last year, Providence have created another drive effect for fans of quality stomp pedals.

By Jason Sidwell Last updated
New distortion pedal and guitar cables from Providence
By Jason Sidwell Last updated
Ever tried a one take solo when recording? For many people, playing something new in the heat of the moment and liking it enough on playback to keep can be frustratingly elusive. One common approach for success in this area is to listen to the music several times and trust your instincts to come up with a melody. And this is before reaching for your guitar. If you can hum or sing (even just outlining a rough shape) before playing, chances are the outcome will be more musical and more memorable. It makes sense really as your voice isn't hindered by technique or your own cliches as regards fretboard patterns or licks.I say all this as the next issue of Guitar Techniques (GT165) features an exclusive tutorial based on a solo Ronny Jordan performed over an upbeat jazz groove I created for him. His playing is very memorable in a smooth George Benson type style and a product of the approach I've just mentioned. He listened to the track in his studio a few times and with the melodies in his head, picked up the guitar and played the one take solo that is on the CD. The issue is on sale 23rd April. Take a look when it's out and see if you agree. Jason
By Jason Sidwell Last updated
GT162 (March 2009)Best cover song ever? Whatever your opinion, it can't be denied that Jimi Hendrix came up with an absolutely cracking version of this classic Bob Dylan song. Transcribed and recorded by the really rather brilliant Guthrie Govan, this issue will prove highly popular. Even more so when you consider what else is in it:

By Jason Sidwell, Guitar Techniques Last updated
It's red and it's special!

By Jason Sidwell, Guitar Techniques Last updated
New overdrive pedal from Free The Tone
By Jason Sidwell Last updated
Steve emailed GT today with an update about his tour. Sounds fun!
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