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“He wanted it to sound tinny, so he literally put the mic in a tin”: When The Darkness teamed up with Queen’s producer
By Amit Sharma published
They took a One Way Ticket To Hell... And Back

“I don’t think any of us knew how huge it was going to be”: The production tricks behind Michael Jackson's Billie Jean
By Will Simpson published
Thriller turns 43 this week

“We have a duty to encourage a fair resale market”: Olivia Dean calls on other artists to ensure fans don’t get ripped off
By Will Simpson published
She forces Ticketmaster to refund her fans

“Always such an honour to be part of the show”: Ronnie Wood, Olivia Dean and The Kooks all confirmed for Jools's Hootenanny
By Will Simpson published
Show has been running annually for 31 years

"It was the best-sounding piece of kit ever – but they were so up themselves": Trevor Horn on the pioneering synth that defined the sound of Welcome to the Pleasuredome
By Jamie Sefton published
Legendary producer Trevor Horn talks exclusively to MusicRadar about his upcoming "mega-tour", the changing face of the music industry, recording Welcome to the Pleasuredome, and why AI is "phony"

Jack White and Eminem light up the Detroit Lions Thanksgiving Day classic with unforgettable half time show
By Will Simpson published
But the Lions are beaten in the end by the Green Bay Packers

“John and I would be standing there like two school children": What did producer Jack Douglas do to provoke the ire of Yoko Ono?
By Will Simpson published
She threatened to hire Spector for Double Fantasy

“It is theft of his integrity, identity and humanity”: Johnny Cash’s estate sue Coke for using Cash impersonator in ad
By Will Simpson published
And it’s under the ‘ELVIS’ Act of Tennessee
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